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Calzona In The Media
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Topic Started: Jan 27 2015, 01:57 PM (1,525 Views)
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Jan 27 2015, 01:57 PM
Post #1
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- Posts:
- 11
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- Jan 24, 2015
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News, Spoilers, Videos and More. No Discussions.
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Jan 28 2015, 03:17 PM
Post #2
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Unregistered
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Sides for E11.09 Filming dates: Oct. 22 - Nov. 4.
Parker & Police Officer – Paramedic unloads Parker (5) as Dr. Smith runs up. Paramedic says he has minor injuries. Parker, terrified, asks where his sister is. Dr. Smith tells him they have his sister inside.
In the ER, a Police Officer sits on a bed across from a sobbing Parker and takes notes. Parker is getting stitched up by Dr. Smith and his father Greg is holding his hand. The Police Officer asks Parker what his mom said after he got in the car. Greg tells Parker that he isn’t in any trouble and to tell them what happened. Parker says she told them to shut up. Greg tells the officer she wouldn’t say that. Parker explains that they weren’t even making noise and then the car started going fast. He’s sobbing again and Greg pulls his son close.
Greg (30s) – Greg is distraught and approaches Dr. Hall saying he is looking for his wife (Brooke) and kids (Mia & Parker). He explains that they were in an accident because some woman ran a red light and hit them. Dr. Hall tells Greg that his wife is on the way to surgery and his kids are being treated. The woman who ran the red light was actually his wife and she caused the accident. He gapes at Dr. Hall because it doesn’t make sense to him. He tells Dr. Hall that that is crazy because his wife would never do that. Two police officers approach Greg and ask him to accompany them. The police lead him away and he asks why she would do that.
(Outside Mia’s patient room) Dr. Hall questions Greg about his wife as he looks at his daughter Mia who is in bed, asleep. Parker has a splint on his arm and curled up in a chair. Greg is overwhelmed. Dr. Hall asks if there’s a history of diabetes, childhood illnesses, previous surgeries or anything. Greg says no. Dr. Hall asks about current illnesses, mental illnesses. Greg asks if Dr. Hall is asking him if his wife is crazy. Dr. Hall says they’re just trying to understand what might have made her do what she did. Greg says she wouldn’t hurt their kids. He’s emotional. He says his wife is busy, she’s tired and stressed and forgets things. She has a lot going on and he works a lot. He has a realization and asks if he missed it, maybe he wasn’t seeing it. Greg is in disbelief and says he doesn’t know anything anymore.
Paramedic – A rig arrives and Dr. Smith greets the Paramedic who explains that the patient is 10-year-old Mia Cohen who is in and out of consciousness and has minor injuries including a facial laceration and probable arm fracture. Her younger brother and mother are right behind them. Dr. Smith asks if the mother was driving and the Paramedic nods.
Mia – The rig arrives and Dr. Smith greets the paramedic with Mia who was in a car accident with her mother. Dr. Smith asks Mia if she can hear him and she nods. She asks where her mom is and if she’s okay. Dr. Smith says they’ll find out as soon as they can.
Dylan & Jack – In a trauma room, Dylan (14) is in bed while Jack (7) is sitting on a stool. Dr. Jenkins inspects Dylan’s abdomen and remarks that was a pretty rough ride. Jack says it was awesome and Dylan says the car fell right in front of them. The cars started slamming into each other and then slammed into them. Dylan says their dad is going to freak when he finds out. Jack tells Dylan he’s going to be in so much trouble. Dylan tells him to shut his mouth. Jack continues by saying that Dylan thinks he’s so cool but he’s a crap driver. Dr. Jenkins asks Dylan how old he is and he says eighteen. Jack snorts and says “Yeah. And I’m twenty-five.”
Dr. Jenkins is with Jack and Dylan who is wincing from pain but trying really hard not to show weakness. Dr. Jenkins asks Dylan how to reach his parents because they need to know what happened. Dylan says they don’t need to tell Dr. Jenkins anything. Dr. Jenkins tells them to just cough it up because they can get the car’s plate number from the police. Dylan replies that it’s not like they stole the car. It’s their dad’s car, he just doesn't know they took it. Jack thinks maybe they should tell. Dylan tells him to not say a word and to be a brick wall. Dr. Jenkins says he needs to take Dylan to surgery so she needs to talk to his parents. Dylan tells Dr. Jenkins to talk to him and she explains that she wants to try and go in laparoscopically, it makes a smaller incision. Dylan asks if that’ll leave a smaller scar because that’s great. His mom and dad will never have to know. Jack is looking at his brother and he’s very frightened. Dr. Jenkins and a nurse get Dylan on to a gurney and start moving him out of the room. Dylan calls back to Jack “You’re a brick wall, Jack! A brick wall!”
Jack is sitting in the Peds waiting area across from Dr. Jenkins. The doctor places a juice on the table but Jack ignores it. Dr. Jenkins says she needs to call his parents and Jack replies that he’s a brick wall. Dr. Jenkins knows that Jack doesn’t want to let his older brother down so she promises not to let Dylan know it came from him. Jack is silent so Dr. Jenkins tries a different approach by asking for his cell phone. Jack says he doesn’t have one but Dr. Jenkins says she saw him with one a minute ago. Jack replies that he’s seven and asks if she would give her seven-year-old a cell phone because that seems like bad parenting. Dr. Jenkins says she’s trying to help him and if he doesn’t cooperate she’s going to have to call Child Protective Services. Jack just stares her down. Dr. Jenkins asks him if he wants to do this the hard way and she will make the call. Jack tells her to do what she has to do. Jack takes a long pull from the juice box as he’s staring her down.
Lynn (50s)- Dr. Keane is still in a scrub cap and gown as she heads down the hall. Lynn approaches her and introduces herself saying she’s from ‘Help is Here’, the nanny service. They had a referral from another doctor who said it was an emergency and asks if she has time for an interview. Dr. Keane is in a hurry and asks if it could be quick. Lynn says of course and asks what she needs them for. Dr. Keane says she doesn’t know. She needs some help with her kid, just some support. Lynn asks her to be more specific. Dr. Keane explains she needs support. Her life and her work are unpredictable. She needs someone who can be there when she can’t. Dr. Keane starts crying in front of Lynn who doesn’t know what to do but stand up and hug her. There’s a sad and awkward beat as Lynn is hugging Dr. Keane who then steps back and apologizes and thanks Lynn for coming. Dr. Keane quickly takes off down the hall leaving Lynn thrown.
Sides for E11.10 Filming dates: Nov. 6-19.
Michael & Adrian (40s) — Adrian is having surgery. Her doctor (I believe it’s Meredith), clutches a copy of The Odyssey. It’s their version of wedding rings. Both were very shy, and Michael was afraid to ask Adrian out, so he wrote it in the book she bought from his store. It took her two years to read it, but then she called and they’ve been together ever since. Adrian asks Dr. Hall to swear on the book that she will do her best. Later, Adrian is intubated and in a coma. Michael sits by her side, book on his lap. He can’t leave and he can’t even read. He feels like she’s sailed away and he doesn’t know if she’ll be back. And he wants her to come back - you know?
Jenna (30s) — Dr. Conrad and Dr. Smith (definitely Callie and Owen) sit with her as she pitches the hell out of her company’s super cool medical tech device. “It’s sexy as hell and we at Cybersystems are dying to crawl into bed with you.” Later at a bar, Dr. Conrad squeezes in next to Jenna. Dr. Conrad nervously questions whether or not she was correct that Jenna was doing more than selling medical devices. Jenna definitely was. Dr. Conrad is relieved and tells her that Dr. Smith is great, just a little shy, and Dr. Conrad asks if he can buy her a drink. But Jenna wasn’t interested in him. Dr. Conrad is surprised. She’s flattered, but she’s not shopping right now — it’s complicated. Jenna tells her that if she wants to forget complicated for awhile, she flies out tomorrow. It doesn’t have to be anything more than one night.
Sides for E11.11 Filming dates: Nov. 13 - 25.
Brenda and Howard - they are a couple in their mid-40s who have been living on a boat. Unfortunately, Howard just accidentally shot his heavy-set wife with a spear gun. She’s being unloaded from the ambulance and is just a bit cranky. She hasn’t been enjoying living on a boat and the constant puking, and now this. Howard is apologetic. Brenda is bleeding profusely and is wheeled alone into on ER room. It is there that she complains of massive stomach pains. Lo and behold, she’s pregnant and gives birth right there. The surprise is that while she knew, she never told Howard. Brenda passes out and is wheeled into surgery. One of the docs gets to give Howard the surprise of his life. He tells the doc that they’d been trying to have kids for years. But they were told it couldn’t happen. That’s when the crap began, and that’s why he got the stupid boat. He wanted to make their life an adventure. But Brenda really wanted a baby. The doc asks if he wants to hold her and he most definitely does.
Pastor Rhinehold - he’s holding a bible and blessing a baby. The side says that the part doesn’t actually have any lines.
Wendy - she’s holding a clip board with paperwork yet to be filled out. Doctor Smith comes up to her and asks her who they’re for. She explains that they’re for her fiance. They were in an accident and… Dr. Smith asks her to tell him what happened. She tells him that a car hit them. And his doctor - she was very nice. She told me he died. She said she was sorry for my loss. She was really nice. And since she had blood all over her clothes, the doctor gave her some fresh clothes to put on and told her to eat something and stay as long as she needed. That she could get Michael’s stuff when she was ready. But she hasn’t seen the doctor since. She asks Dr. smith if he knows who it was. He nods, yes, I know who it was. Wendy repeats that she was very nice. She said she was sorry.
Sides for E11.12 Filming Dates: Dec. 2 - 13
Hillary, Todd – Dr. Rogers meets the paramedics who just brought in Hillary (27) who went unconscious and fell down a flight of stairs. Her overly attentive boyfriend Todd (20s) is terrified and he’s telling Hillary he’s sorry. Dr. Rogers asks if this was his fault. Todd says he didn’t push her. He proposed to her at the top of the stairs and she fainted and fell all the way down. Hillary stirs, trying to cover up how annoyed she is with Todd. Dr. Rogers says they’re going to take Hillary up to the OR. Todd is so scared and nervous. Dr. Rogers asks if anything like that had happened before – dizziness, fainting spells. Before Hillary can speak, Todd tells Dr. Rogers that a few weeks ago they were talking on the couch and suddenly when he looked over she was out. Dr. Rogers wants to run a complete neuro work up. Todd tells her to run all the tests. Hillary asks Todd to get her some water or something. Todd says absolutely and leaves. Dr. Rogers tells Hillary that multiple fainting spells could mean heart problems, blood issues. Hillary says it’s not any of that. Dr. Rogers says she’s concerned about narcolepsy, cataplexy. Hillary explodes and says she’s never fainted; not on the couch or the stairs. Hillary explains that Todd cares for her deeply, he’s sweet and clingy. And the more he feels, the less she does and they haven’t been together for long, but he wants to take it to the next level. She started pretending to fall asleep whenever he would go on and on about their future. Dr. Rogers says that’s diabolical. Hillary says that today they were walking in the park and he got down on one knee all teary-eyed and she faked fainting. She didn’t realize how close she was to the steps but she had to go with it. Dr. Rogers says she can really commit. Hillary says yes, but not to Todd.
(Scene 2) Dr. Rogers consults with Hillary in her patient room. Hillary’s leg should be fully healed in about 3 months. Hillary asks if Todd is there. Dr. Rogers tells her she needs to break up with Todd. She can’t take another fall like that. Hillary says she knows she should and she will. Todd enters the room and asks how Hillary is. Dr. Rogers is going to leave but Hillary tells her she can stay. Todd tells Hillary he’s going to take her home and make sure she has everything she needs. Hillary tells him that he’s been so sweet and kind, but she’s been unfair. Todd tells her not to worry about him and he loves her. Hillary looks panicked so she fakes fainting. Todd is terrified and tells Dr. Rogers to help but she is over it. Dr. Rogers tells Todd that what Hillary is trying to tell him is that she wants to break up with him. Dr. Rogers knows that all he wants is to help but it’s not what Hillary wants and she doesn’t deserve it. Todd starts to cry. Dr. Rogers says he deserves someone who wants him there and who needs the kind of attention only he can give. Dr. Rogers puts her arm around Todd and walks him to the door.
Hot Guy – Jill is sitting alone at the bar with a drink. She has zeroed in on a Hot Guy down the bar. He glances in her direction and she locks eyes with him and then looks down. She’s reeling him in. She tosses back her drink, gets up and heads over to the guy. She tells him to dance with her and he says ‘okay’. He’s pleasantly surprised as Jill leads him to the dance floor and they start dancing. It’s effortless and fun.
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Jan 28 2015, 03:54 PM
Post #3
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Unregistered
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Sides for E11.13 Filming dates: Dec.11 - Jan. 7 with a hiatus from Dec. 22 – Jan. 2
Executive Assistant, Seattle Law Firm — The assistant knocks on a door and interrupts Ms. Clauson who is busy reading a document at her desk. The assistant kindly asks if she’s ready to go and while Ms. Clauson says yes, she doesn’t get up from her desk. The car is waiting. Ms. Clauson slowly rises and the assistant explains that she can’t be the thing that holds up the meeting. It’s time to go. Ms. Clauson starts to put on her coat and explains that that case is one that her sister won. That’s nice but they really need to go. Ms. Clauson puts on her coat, grabs her briefcase and hurries out the door.
Glenda Castillo (30s) — Dr. Delgado performs an ultra sound on Glenda and says that she’s worried about Glenda’s blood pressure and the fact that her swelling has gotten worse. Glenda jokes that she used to have ankles, now she has balloons…with toes. Dr. Delgado laughs and says that she couldn’t even see her feet during the last four months of her own pregnancy. Dr. Delgado pauses and puts on a polite smile to inform Glenda that her baby has a large tumor on his back and it’s affecting Glenda’s heart and increasing her blood pressure which is making her sick. Glenda responds that it can be removed, right. That Dr. Delgado says amazing things about you, that you are one of the best. (Possible that there are two different doctors being referred to as Dr. Delgado in this scene). Dr. Delgado checks the baby’s tumor and explains that it has grown and the baby’s heart is failing. She recommends that they do surgery immediately. Glenda worries that it’s too soon, the baby is only 24-weeks. Dr. Delgado explains that the tumor is not only endangering the baby, it’s putting Glenda at risk as well. Glenda isn’t worried about herself though. If she can hold on for a few more weeks…Her husband is dead. This baby is theirs. She can’t risk his life too. She chooses her baby and tells Dr. Delgado not to worry about her. Dr. Delgado wants to save them both. Then Glenda wants her to wait as long as she can for the baby.
The next scene, Dr. Delgado rushes into Glenda’s room. Glenda is sweaty and ill. It hurts. It hurts. Something’s wrong. Dr. Delgado tells her that they are going to take care of her and she takes her to prep for surgery.
Julie and her husband — She’s surrounded by nurses, in major distress when Dr. Conrad runs in. Julie tells her that it hurts, it hurts. Where? Julie asks for her husband. She’s in so much pain she can barely speak. Dr. Conrad lifts the blanket off Julie’s legs and there’s blood everywhere. Dr. Conrad shouts not to let him in there. They need to get Julie to an OR, now.
The second scene says that it may only be seen and not heard. Julie is there with her husband and Dr. Conrad is explaining that Julie is fine, but while they tried everything they could, despite their best efforts they lost the baby. Julie sobs into her husband and he asks Dr. Conrad to give them privacy. Credit to calzonafan2014
Sides for E11.14 Filming dates: Dec. 17 - Jan. 3 [Holiday hiatus: Dec. 22 – Jan. 2]
Andrea (40s) – [ER night] Dr. Jenkins asks Andrea where the headache is located and she replies that it’s all over, it moves around. She tells Dr. Jenkins that she went to China last month and got all her shots but she’s wondering if it could be bird flu or SARS. She gets headaches all the time and weird nosebleeds. The blood starts to come and when she goes with a tissue, it goes back up. Dr. Jenkins notices that a big drop of blood is starting to ooze from Andrea’s nostril. Dr. Jenkins grab a tissue and goes to wipe it, but the blood goes right back up and disappears. Dr. Jenkins jerks back, horrified, and tells Andrea that’s it’s not a nosebleed. She thinks it’s some kind of critter. Andrea asks if Dr. Jenkins means that something is living in her face. Dr. Jenkins says it looks like it. Andrea is upset and yells for Dr. Jenkins to get it out.
[trauma room] Dr. Jenkins and Andrea are face to face, a cloud of steam from a steam inhaler rises between them. They’re both waiting, Andrea with dread and Dr. Jenkins with impatience as she’s holding a set of tweezers at the ready. Andrea starts describing her trip and how everyone on her tour was jumping off a high ledge into a lake. She was terrified to do it, but it was the big high point of the trip for them and she didn’t want to be the only one not to do it. She didn’t want to miss out on the high point. Dr. Jenkins says she gets it, she’s missing out on one right now. Andrea says she’s so glad she jumped because it was exhilarating and it changed her forever. She asks if that’s when she got this thing in her. Dr. Jenkins tells her to not move as the grayish blob appears from her nostril. Dr. Jenkins reaches up with the tweezers, seizes it and pulls. It stretches, hanging on as Andrea screams. Andrea yells at her to stop and slaps Dr. Jenkins across the face. Dr. Jenkins wheels back, letting go. The critter slithers back up Andrea’s nose and they’re both shocked. Andrea apologizes but Dr. Jenkins says no, she would’ve done the same and they’ll try again. Andrea replies that they’re not doing that again. She’s not even close to considering a compromise. Credit to JChambersOnline
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Guest
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Jan 28 2015, 03:59 PM
Post #4
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Unregistered
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Sides for 11.15 Filming dates: Jan. 12 — 23.
Brian & Karen (40s), Micah and Danielle (14) – Brian and Karen are engaged. Micah is Karen’s nerdy son and Danielle is Brian’s much tougher daughter. Brian took Micah and Danielle rock climbing, but Micah didn’t get very far. He fell out of his harness before he even started climbing. We meet them in a hospital E.R. bed. Micah is scraped up and his leg is in a splint. Danielle is annoyed that his fall caused her to miss the hawkeye climb. Karen rushes in and starts to pick a fight with Brian. In the meantime, Danielle notices that Micah starts to go rigid and alarms blare. Dr. Miller runs to Micah and orders a crash cart. The paddles don’t charge fast enough and so Dr. Miller whomps on the boy’s chest with his fist. Karen screams, but it worked and Micah’s heart stabilizes. Danielle is upset that there’s really something wrong with him. Micah’s nerdy but he’s okay. After an examination, Dr. Miller explains that Micah had a heart attack. Karen starts to blame Brian again, but it turns out that Micah has a genetic disorder and the high altitude and dehydration caused his fall. Had he not fallen, it might have been caught too late. So Brian and Karen are relieved that rockclimbing didn’t almost kill Micah, it actually may have saved his life.
Leo (36) – Dr. Jenkins asks to see the left femoral medical. Leo pulls up the x-rays and points. This one has the best view of the acetabular component. Dr. Jenkins looks at it and realizes that Mr. Phillips doesn’t need to have his hip replaced. She can fix it. And Mr. Phillips can get his freak on. Leo adds “without his squeak on.” They both laugh. Dr. Jenkins thanks Leo who is also very cute and smart and nice. Leo mentions that dinner they talked about. He’d still love to find a time for it. Dr. Jenkins stutters around that her schedule is – she just don’t think she can. Leo understands although he’s clearly disappointed and Dr. Jenkins heads out fast.
Flight Doc – On the helicopter landing, the Flight Doc is bringing in a MOM, bloody, with a head wound. She’s a 44-year-old female, tension Pneumo relieved by a thoracotomy, patient’s stable – good vitals.
Lucas Hardin (30) (Noelle’s husband. There are no sides for Noelle) – Noelle is a patient who has scheduled plastic surgery on her eyes. Lucas is upset. He doesn’t want her to do it. He orders her not to. Noelle orders him out of her room. Dr. Kendrick chats with Lucas. He explains that he’s not some overbearing ass. He just got scared when he couldn’t find Noelle and found out what she was doing. Noelle’s sister just died. Caroline. They were very close. They saw each other every day. She was Noelle’s other half. Lucas explains that all he wants to do is help her. They tried grief counseling, weekend getaways. They even went to freakin’ church. It was just last month that she started talking about plastic surgery. And she started to get excited. But Lucas fell in love with that face. He married that face. That face is his best friend. Caroline just died six months ago.
Scott (20s) – Dr. Mathie does a consult on Scott, who’s very stressed and nervous. He wants to talk to a male doctor because it’s personal…private. Dr. Mathie tells him to trust her, she’s seen about everything. Scott explains that he had sex with this girl last night, and in the middle of it he noticed this like, tube in her chest. Like a chemo thing. Okay. She has cancer. And? So I have to get tested for cancer, now! Dr. Mathie is not amused.
UW Tee – Kimmie walks along a path. She passes a jogger. He waves. Smiles. Morning. She jerks her chin, a curt, tight nod and looks straight ahead. Walking here. The guy takes the hint and looks away as he runs past.
Waiter – Steak house, nice. Low lights, white table cloths. Julie sits at a table, just finished dinner. The waiter asks if he can get her anything else. Um. Yes, just a dessert menu, please?
Ruby (9) – (Liz – one of our doctors), is trapped in an overturned car. Through the windshield she sees a car that’s smashed into a tree. A woman is unconscious and slumped over the driver’s seat and a little girl, Ruby’s is at her mother’s side. Ruby calls desperately for help and Liz tells her that she’s going to be okay. But her mother isn’t breathing. Liz tells her that it’s okay. She’s a doctor, and she’s right there. She’s going to help. She asks Ruby to tell her what happened. They were heading to their cabin to have hot chocolate and s’mores and they hit a deer. Mom isn’t moving. Liz asks her how old she is and when she hears 9 she thinks “Oh God.” But instead she calls Ruby a big girl and asks if her mom is breathing at all. Ruby doesn’t know. She sounds like she’s snoring and her lips are turning blue. Liz has Ruby MacGyver up a makeshift tracheotomy using a straw from their milkshake and the skewers for their marshmallows. Ruby succeeds! Later on, they are both still trapped and apparently, Ruby’s mom now needs CPR. Liz instructs her how to perform CPR through the song ‘staying alive.’ As Ruby is 9 and hasn’t heard of this super old song, Liz has to sing it to her first, which she does. Liz then tells Ruby that the EMTs are coming but she might have to take a nap before they get there. Ruby’s scared, but Liz loses consciousness right after telling Ruby that Ruby needs to be the one to dial 911. (Uh, why didn’t they do that hours ago? )J
Lady (AKA Loud Talker) – Not only did she have to wait two hours in the E.R. before a doctor would see her, but NOW she can’t even leave the damn place because someone decided it was all right to double park. (Someone shh’s her, but she continues) How you don’t have a hired service to monitor parking is beyond her. She expects her co-pay to be waived for the inconvenience. Dr. Smith tells her to SHUT UP. The nerve.
Jean (75 and sweet) — She’s speaking with her doctor and tells her she’s got one tiny problem that she hopes the doctor can help. Her husband has recently died and the gentlemen have started calling. She wants to polish Herbert’s 9 iron…yes, his penis. She’s terribly interested in it. In fact, she’s interested in all the penises. But she’s had hip replacement and it’s giving her trouble. She brought cookies. In the next scene she tells Dr. Hall to listen. The hip squeaks. Any way she tries, on her back, on her side, bent over the arm of a couch…(you get the picture). She had the hip replacement 15 years ago but it only started squeaking 6. Her husband didn’t mind. Dr. Hall is concerned. A new hip is major surgery. But Jean is lovely and any man would be lucky to be with her and get used to the sound, just like Gil. That’s not what Jean’s looking for. Gil was the love of her life. He’s the only man she will ever love. But she’s damned if he’s the only man who will ever razzle her berries. Dr. Hall realizes that Jean doesn’t want to be limited. That’s right. She wants to look and sound her best. Dr. Hall adds that she wants a fresh start. Exactly.
Noelle Hardin (cute, late 20s) — She is the patient looking to completely change what she looks like due to the death of her sister. (Her husband was discussed earlier). The doctor tells her by doing the surgery that she wants to do, she’ll be a whole new person. That’s what she wants. The next scene is following her husband’s interruption and after he’s explained about the death of her sister. She explains that she had all of the mirrors in her house taken down. She used to have dinner with her parents every week. And now she can hardly bear it because she can’t stand to watch her mother struggle to keep from crying. Dr. Smith recommends that she wait at least a year for the surgery. Noelle agrees. (Best guess is her sister was her identical twin.)
Pregnant Lady — A nurse is examining a pregnant lady who is very, very, loud. And I thought I swelled up the LAST time I was pregnant she shares. The nurse asks her to keep it down, but she keeps going. And my center of balance is out of whack. That’s why I fell down. This kid better appreciate what I’ve gone through for him. Dr. Hall arrives and offers to help. The pregnant lady tells her that yes, she can help get the baby out of her. It’s making her fart and has ruined her complexion. Dr. Hall laughs and the pregnant lady looks triumphantly at the sour nurse. See, she gets it. Dr. Hall agrees and tells her that she looks great, she’s glowing.
Paramedic — Rolls in the gurney containing the 14-year-old kid with his leg in a splint. Tibia fracture, elevated pulse from a 24 foot fall complaining of abdominal tenderness.
Ellie and Chris (20s and cute) — Ellie is there for a nose job and has brought her boyfriend Chris along with her. Chris explains that she’s nervous and he came to provide moral support. But the fact is, Chris appears to be there to review the various nose options and pick the one he likes. It’s not outright, but Ellie tracks his expression and agrees to the one that makes him smile. In response, Dr. Tate suddenly suggests that they take a bit of a break before scheduling. Six weeks and then they’ll meet again to talk through their options. Ellie thought that that was what they were doing now, but apparently, not anymore. Credit to calzonafan2014
Sides for 11.16 Filming Dates: Jan. 22 - Feb. 4 & Jan. 26 - Feb. 8.
Anesthesiologist - Patient’s OR, monitors are blaring. Dr. Grant asks for the status. 95 over 60. Dr. Grant isn’t seeing any bleeders. Retracting the colon and removing lap pads. Pressures dropping. He’s hypotensive Doctor. He’s bottoming out. Dr. Grant keeps working.
Blair & Tom - Dr. Smith assists Blair, a MVC victim. She’s weak, woozy but spirited. And pregnant. This car blew right through the crosswalk. We were walking and then I was…just watching it drive away. Dr. Smith encourages her to stay calm as she gets out the ultra sound. Blair wants to know if her baby’s okay. She’s having a boy. The baby is okay, but Blair is in labor and Dr. Smith needs to prepare her for a C-Section. Next scene, an intern comes to check on her for Tom. Blair asks if he’s okay and the intern tells her that he’s more worried about her. Blair explains that they were going for Indian food. Dr. Smith tells the intern that they’re taking Blair to deliver the baby. Blair wants to make sure Tom knows. It’s okay if he misses it. He is so excited. Don’t let him worry. The intern tells her that she’ll tell him. In actual fact Tom is mangled and screaming in pain. He asks about the baby. The Doctor tells him that he has a beautiful baby boy. Then tells them to push morphine and Tom finally relaxes from the intense pain.
Frat Kid - He’s got a water bottle stuck on his tongue. He’s speaking gobbledygook. An intern laughs at him and it makes him angry.
Heather (30s) - Josh exits restaurant with Heather who is gorgeous and flirtatious. She knows what she wants and goes after it. Josh apologizes for needing to leave. No problem. His profile did say crazy hours. Josh apologizes again. Heather demurs. First dates are over-rated. Maybe we should jump to the end. She plants a big kiss on Josh. Just a little incentive for date number two.
Martin & Sally (70s) — Paramedics wheel Martin into the hospital. Martin is angry and ranting and raving. He wants off of that thing and for the nurse to give him his keys. She’s not a nurse she’s a doctor. Dr. Smith tells him that he needs to calm down, she needs to examine him. She leans down and Martin hits her in the face. Dr. Jones lunges for Martin in an extremely protective blur. Later Sally arrives looking for her husband. She had gone to take a shower. She usually hides the keys. She didn’t this time. While the cops thought Martin was drunk or on drugs, it turns out he has Alzheimer’s. He caused a massive accident that includes fatalities. Sally is devastated. When Martin gets out of surgery he is lucid for the first time in years. Sally tells him about their kids. Lisa is divorced, Martin was right, the guy really was a bum. Martin says it feels so weird, like he was in a time machine. Toby’s at Penn State. (Stupid Toby?) He acknowledges how hard this must have been on Sally. Then he learns that the police want to talk to him about the accident.
Police Officer — He’s in the lobby to question Martin about the accident.
Holly, Jacob & Gavin (10) (filming dates are 1/26-2/8) - Gavin has swallowed some marbles and is in the hospital. He’s not an easy patient. His parents don’t appear to believe in discipline so he’s allowed to be an ass. He bounces a ball against a head board and when Dr. Cameron (Alex) stops him to talk, Holly gives Gavin back his ball. They try not to use punishment to resolve conflicts. Jacob tries to cajole Gavin to turn around but Gavin’s having none of it. Later, Holly and Jacob ask Dr. Cameron for Gavin to stay the night just to be safe. Gavin throws another tantrum about the crappy tv. Dr. Cameron takes the remote away from him when Dr. Smith walks in. Holly is relieved. She tells Dr. Smith that she doesn’t want Dr. Cameron treating her son. Can she do it? They trust her. In the Gavin side, the parents aren’t mentioned, and Dr. Cameron lays into Gavin. He saw a kid last month swallow a penny and it stuck in his throat and he died. If Gavin wants to smell something weird he’ll keep swallowing stuff. Dr. Cameron goes to leave, but turns when he sees Gavin crying. Gavin swallowed another marble. He’s afraid he’s going to die now.
Nick Jones — Resident (late 20s) — Resident Jessica approaches Resident Nick Jones, late 20s. Nick is fixated on his tablet, and Jessica is annoyed. She finally interrupts him to tell him that he was wrong about Mrs. Fuller’s labs. (I’m sorry?) Jessica tells him not to be sorry, to be right. And he was wrong. Nick interrupts and introduces himself — Hi, I’m Nick. Jessica knows who he is. (The guy who was wrong about the labs). He prefers Nick. Dr. Jones. Well, because of Nick, Jessica just ordered an unnecessary CT. Nick asks if this is where he’s supposed to say he’s sorry. Because he is. Genuinely sorry if he caused an error. Which he doesn’t believe he did. Jessica shows him results. He goes on a long monologue.
If this is supposed to prove her right and him wrong, that, right there, is going to ruin your day. If this is supposed to make me cower, because I’m knew and your you, and — no offense, a little snippy right now, not gonna happen. Most of the time we’re right. But I’m not perfect. Are you? No.
And though you’ve yet to introduce yourself or say hello, I know you’re a resident. Just like me. You can talk to me like you’re the boss of me because frankly, I find it hot. Respectfully. Respectfully hot. But you are not actually the boss of me. So again, I don’t see any evidence of my error. But I do apologize for causing you more work. Extra work sucks. Jessica introduces herself. Nick says nice to meet her.
Later — Outside patient room, day — Nick watches through the window where a father stares at the empty bed. Jessica approaches. He’s still there? Nick tells her not to go it. He’s not a patient. Nick replies that they have lots of beds. He’s using this one. It’s empty…Nick explains that he was supposed to pick his little girl up out of that bed and take her home. He can’t do that now. Jessica knows and she feels bad. Wait for it, another long monologue from Nick. (I am wondering if these were written just to test for emotional delivery rather than for the part itself?_)
He. Needs. What? Tell me. To step back, get some air. To watch a nurse strip the bed so it stops smelling like blood and dinosaur shampoo? To fill out forms — pages of inane forms saying Yes my daughter is dead, can I have her muddy sneakers now? That’s not what Jessica was…
Nick interrupts her again — He knows they did everything they could, but what do we do for him now? Kick him out? Send him home to a house full of her laundry and toys and the dance classes he has to cancel? Why make him face that? To all of the casseroles and flowers and what do you needs and the endless platitudes so inane he’ll begin to crave silence…
He needs this bed. It’s the last place he saw his daughter and he needs to memorize it before he starts to forget. He needs to sit by that bed as long as it takes for him to remember that she is gone. The future he cared about is gone. The best, most uncomplicated love…is gone. (Blah blah blah) I know he’s not our patient, but we are going to treat him like one. We are going to give him that little bit of respect. Jessica has clearly struck a nerve with Nick and tells him sure. okay. Credit to calzonafan2014
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Jan 28 2015, 04:36 PM
Post #5
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'Grey's Anatomy': Callie And Arizona's Relationship Repair Is 'Not Gonna Be Easy,' Sara Ramirez Says
 Posted: 10/25/2012 8:24 am EDT
One of the fan-favorite couples on "Grey's Anatomy" (Thursdays at 9 p.m. ET on ABC) is in a very bad place, post-plane crash, and it might not be getting better anytime soon.
HuffPost TV caught up with one of the show's stars Sara Ramirez on set, and she was very forthcoming about the continuing struggles for her character Callie Torres and her wife Arizona Robbins, played by Jessica Capshaw.
Calzona fans breathed a collective sigh of relief last week when Callie finally showed Arizona that she wasn't the only one hurt by the crash that left her an amputee (at Callie's orders, no less). Their scene in the shower, with Callie screaming "This is my life now, too," was one of the more emotional moments of a very tumultuous season so far, and there was hope that they could start to try to move forward and repair the relationship.
Ramirez admits that playing that tension was "pretty painful," but says they're still far from a happily ever after. Keep reading for more about the things that have been said that can't be taken back and Ramirez's take on whether or not these two should've gotten married in the first place. Plus, more on Arizona's path to recovery, and whether or not it will even include Callie.
That moment in the shower with Callie and Arizona last week needed to happen. Yeah it did. It's a big deal, and it's something that you can't ignore.
But that couldn't have fixed everything, right? I don't think so.
No one can stay happy for too long on "Grey's." Are they the new problem couple of the show? I don't know! I honestly don't know. I'm just starting to see what a lot of dysfunctional couples do when they are trying to accept a problem without really working through it. There's a lot of brushing things under a rug and putting on a happy face. I see a lot of band-aids, but I don't know if these two are really going to talk about what really needs to be talked about. A lot has happened -- they've been through a lot. Arizona was there for Callie when Callie was in a coma, so I don't know that Callie's going anywhere anytime soon. I think she feels like she's gonna stick with this and be there for her wife.
But that's a very scary reality, because it's not enough now just to be there for her. Arizona needs to be taken care of, at least until she's in a better place, which makes it Callie's problem now too, right? It is and it's not. At least from what I've seen and read, Arizona's very much about figuring this out by herself. And when someone wants to get through something like this on their own, without their partner's help, there's not a lot of space for their partner to play a part in that. So Callie is busying herself with Sophia and busying herself helping other people at the hospital because they're actually needing her, and are open to needing her help.
Her situation at home ... it's not something that she knows a lot about. She doesn't know how to support and nurture an amputee, especially one that doesn't want her help.
She's always had those problems in her relationships! She couldn't figure out how to be a wife for George, and now she can't break through Arizona's walls to be there for her. She's so good at her job, but her personal life is looking messy. Again. Well, if we're gonna talk about George ... [Laughs.] I think she's picking the wrong people. I don't think it's really Callie's fault necessarily, but you know, the responsibility lies when you pick someone, you're stuck with them to some degree. The difference here is Arizona was there for her during a very difficult time, and not only helped save her life, but saved their baby's life. And that's a big deal. George never did anything like that for Callie. In fact, he cheated on her. This is such a different relationship for so many reasons, and it's further down the line in the character's evolution. So we're catching her at a different time in her life with someone new who is going through an extremely difficult process. What I'm seeing is a partner who doesn't want help from anybody other than someone who specializes in that kind of help.
As a fan, I just kept hoping that Arizona would snap out of it after that shower scene and realize they needed to start moving forward again. No, that's not gonna be easy. And I think even if you see things on the surface, I don't know that it speaks to what's really healing on the inside. It's going to really depend on how much the writers want these characters to really evolve or how much they want them to stay stuck in their usual patterns, leading to a dysfunctional relationship.
It's hard for people to change, but if anything is going to force people to either evolve or regress, it's something like that plane crash, which basically affected everyone we've ever known on this show. In order for a relationship to really evolve, and for people to evolve in a relationship, they have to be willing to tell the truth, and they have to be willing to have that kind of difficult conversation. And I think these two ladies are both sort of skirting around the issues, so much so that I don't know that the truth ever gets spoken. And if that doesn't happen, then anything you see moving forward doesn't seem like it's genuinely dealing with the problem. It's all just covering up the problem, trying desperately to move on, trying to pretend like everything's OK or going to get better.
But you also have to consider -- at least I do because I had to play it [laughs] -- but when really horrible things are said that can't get taken back ever, you have to wonder, as a partner, if your person really meant that or not. Arizona said some pretty horrible things that she has not taken back. Is that the truth? Because if that's the truth, that's not a good thing ... that's not a good sign. So I keep wondering are the writers going to write Callie as a character who just glosses over the truth and pretends she didn't hear it and moves forward like everything's fine? Or is this going to come to a head at some point where these two women can no longer keep putting up a facade of something that's working if it's not? I'm very, very curious.
I'd like to think, or at least hope, that Callie can continue to take the bull by the horns and get them back on track. I think because Callie almost lost her own life ... there's something about facing your own mortality that makes you not want to waste any more time on petty things. Or even big things. I think when you've almost lost your own life, you don't really have time to put up with things that don't feel right, that don't feel good. So I'm wondering how long Callie is going to keep pushing forward, and pushing down whatever doesn't feel good, and pushing through it. I'm wondering when that's going to blow up in her face, because it has to. I'm sorry -- nobody's that understanding and forgiving, over and over again.
It's not an exaggeration to say that those scenes with Arizona have been heartbreaking. You never want to treat anyone like that -- but especially your wife! Yeah, it was pretty painful. And then to expect it to be OK! That's where, if you're willing to be that harsh, you have to be willing to accept the repercussions. But when you're angry and in pain, you often times say a lot of things that you don't mean. We're just not sure what Arizona meant and what she didn't mean. If there was any truth to the things that she's been saying to Callie and all the anger that's coming through, then maybe there's some things that they need to talk about that have nothing to do with the plane crash and that have nothing to do with Callie's coma ... that, in fact, have to do more with some things they should've talked about before they even got married. Then they would've been really sure that they were right for each other.
I tend to want to go back and kind of pull it apart from the beginning. Did everybody tell the truth? Was everybody being true to themselves when they committed to this relationship? Or did anybody lie to themselves in order not to be alone? Because a lot of people do that in life -- they're too scared to be alone.
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Jan 28 2015, 08:03 PM
Post #6
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'Grey's Anatomy' star Sara Ramirez dissects shocking Calzona twist
EW Calzona fans got quite the shock during Thursday’s episode of Grey’s Anatomy. After Callie (Sara Ramirez) and Arizona (Jessica Capshaw) finally went to therapy, the duo were charged with trying out a trial separation, which they initially had a hard time sticking to. Once apart, Arizona realized the value of her marriage, while Callie decided to end things. Breathe. EW hit the set of the ABC medical drama to get the scoop on what’s next from Ramirez.
EW: Callie decides that she doesn’t want to be with Arizona. Are they done for good? SARA RAMIREZ: What Callie decides is that she doesn’t want to try to fix it or fix them anymore. That’s what she decides. To be clear, that’s important, because it’s not about “I don’t want to be with you.” I think it’s about, “I don’t want to try and fix this anymore, and fix us anymore.” I think Callie reaches her breaking point. The exercise in being apart for all that time, she initially resisted, but ultimately it becomes an eye-opener for her, to see how much happier she is outside of the relationship, which is not something she expected, or wanted necessarily, but she finds a lot of freedom from all of the issues and difficulty that they just can’t seem to resolve or find a solution for. The conclusion that she comes to is they’re better apart, for now.
For now! Do you think there’s hope for them someday? I have no idea. I have no idea, and I’m not going to touch that with a 10-foot pole, thank you very much. [Laughs] But it’s so not about what the actors think. I think that Callie basically wants more of that time to be herself again. I think that she starts to see glimpses of herself again that have been buried under this drama for so long. I think what she chooses is freedom. It’s less about “I don’t want to be with you,” because I think she still loves Arizona. I think the love is still there. But just because you love someone doesn’t mean that you’re supposed to be with them, or that any problem is fixable.
What is Callie like now without Arizona? Is this a whole new discovery of who she is? She discovered a part of herself before Arizona came along with Erica Hahn. And then she fell in love with Arizona and more of who she is blossomed in that relationship because we were able to see that relationship on screen. When we got rid of Erica Hahn we couldn’t. Basically, it obviously served that purpose that we were able to see Callie in a grounded, loving relationship that had more to do with the attraction, and the mutual respect and the love for one another than anything else, than about gender, which I love. And then the drama of the car crash, the plane crash, the leg loss, the “I told you not to keep me alive, I’d rather be dead than be alive without a leg”—all of that created so much conflict and it changed them in a way. I think Callie lost herself, and put so much focus on Arizona, and fixing her, and fixing their relationship. That was very traumatizing.
How will they be dealing with the breakup? It’s not all sunshine and rainbows when you break up. What Callie saw in her life and the opportunity she saw in working with other people and just exploring her life outside of her relationship—professionally so nobody freaks out. That’s the only area where she’s exploring herself outside of her relationship—she see glimpses of her old self and her new self. She’s enjoying herself more, she’s focused on her work more, and she’s more engaged in the hospital with other doctors. She’s doing more at the hospital, she’s laughing more. She got glimpses in episode five of what that is, what that means and what that could be. Initially we do not see sunshine and rainbows in Callie’s world. It’s very difficult. It’s quite miserable, actually, because break-ups are messy. Especially when you share a child, there are so many things you’re trying to figure out in terms of separating your lives. We’re going to continue to see the difficulties and challenges when you are in the process of breaking up and you share a child. You’re trying to figure out if we’re both going to be staying in the same house, what are we going to do with the house, how are we going to tell Sofia? There’s some really important priorities to deal with first, so we necessarily don’t really see an exploration of some new Callie, so I don’t really know what that is yet. What we’re seeing now is somebody who’s feeling horrible about choosing something that their partner didn’t want. Callie just really feeling guilty.
Will Callie take steps towards looking elsewhere romantically or is this more about finding herself? Yeah, that’s what it’s more about. What the writers have explained is the writers are interested in seeing an unattached Callie. Who is she in the hospital, what is she like around her co-workers? Do friendships arise, do working relationships improve? Do they not improve? What are the effects of this newfound freedom? But nowhere in there is there any romance. That’s not where her focus is at.
Can they still work together in the hospital? They don’t work together. We don’t see them working together for the first few episodes. She doesn’t want to make the break-up any harder. She sees how hard this is on Arizona. She sees how Arizona’s taken on so much with this fellowship, all these things she’s taken on amidst this break-up, so Callie puts her focus into trying to help again, which ultimately doesn’t work. It’s all just slowly progressing in that way. Callie is observing Arizona from a distance, but they’re not working together. You’re still wearing Callie’s wedding ring. They haven’t told anybody yet. I think Meredith is the only one that Callie’s been confiding in, in terms of what’s been going on before and then. Meredith and Callie are developing a relationship—a friendship! I don’t want to throw anybody off, they’ll get all excited like, “Oh my god!” Calzona splits up only for Meredith to start dating Callie. That’s hysterical. Anyway, they form a bond. Callie and Meredith form a bond over their individual relationship issues, and Meredith is somebody Callie confides in. I don’t remember if Callie actually literally says to her on-camera like, “We’re broken up.” But they’re still wearing their wedding rings, so nobody says anything about it.
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Jan 28 2015, 08:06 PM
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Grey's Anatomy's Jessica Capshaw: It's Never Going to be Over for Callie and Arizona
TV Guide That sound you just heard was the hearts of millions of Calzona fans smashing into pieces. On Thursday's pivotal episode of Grey's Anatomy, Callie (Sara Ramirez) and Arizona (Jessica Capshaw) put forth a valiant effort to save their marriage — and then ultimately realized that maybe they're better off just calling it quits. To recap: The episode, titled "Bend and Break," spans a little over a month, during which time Callie and Arizona — with the help of a couples therapist — engage in several yelling matches while trying to work through their issues, and eventually decide to do a trial separation. They'll still live in the same house, but for 30 days they have to sleep in separate rooms, can only talk about issues relating to work or Sofia, and can't have sex. (What could go wrong?) As the separation starts, Arizona is totally into respecting the boundaries that have been set for them, and Callie is less so. Predictably, they slip up — and their therapist makes them start from scratch after they confess to her. In the meantime, at the hospital, Arizona's having a tough time with Dr. Herman (Geena Davis) while Callie is completely thriving with the veterans project she's spearheading with Owen (Kevin McKidd) and Jackson (Jesse Williams). At the end of their trial separation (and after one more slip-up on Day 29 that they don't tell the therapist about), Arizona realizes how much she loves Callie and needs her in her life. Hooray! But — wait a second. Oh dear. Callie doesn't feel the same way. She's learned how much she can succeed and do well on her own, and she doesn't want to work on fixing their relationship anymore. And every Calzona fan is like: So, are Callie and Arizona really done? It sure looks that way — at least for now. "These are two characters that have been together for seven years," Capshaw tells TVGuide.com. "They have a child. Even saying it's over, it's never going to be over between them, because they have made a commitment to each other that goes deeper than anything, which is having a child together. So they'll always be a part of each other. I think that there is going to be a redefining of their relationship, and who knows how that will work itself out? ... But I think the most important thing is that they are both finally on a road that will end in each of them being happy, together or separate." Read our full Q&A to find out where Callie and Arizona go from here, and whether there's any hope for them to reconcile: So that's it? Are Callie and Arizona done for good? Jessica Capshaw: [Showrunner Shonda Rhimes] knows a lot of things, but then I think that it seems like she also enjoys being able to have a little bit of spontaneity and let an idea come to her. And she's famously said that she's 50/50 on Calzona. So we'll see. I know this is a couple that she's very invested in. ... The thing that I also feel like is worth saying about this couple is, seven years is not a failure. Being together for seven years is a long time, and they've done their best, man. They've shown up for each other as best as they possibly could, but they've been through a lot. Car crashes, plane crashes, babies, going off to Africa, infidelity. I mean, it's a lot. It's a lot. Do you think they should continue to work on things? Capshaw: I don't know. Every person only brings their perspective to the game. When I think about the laundry list of things that they've gone through together, I think those would be some hefty things to get over. And yet I know couples who have weathered super huge storms and come out stronger. So I don't know. It can go either way, right? But again, I really champion the idea of them being just happy, and going back to some of the joy and excitement and passion that they had earlier on in the series. They had a couple of slip-ups in this episode, so there's clearly still a connection there. What do you think is the core issue that they can't get past? Capshaw: I think that someone put them into the washing machine and pressed spin. (Laughs). They just keep going around and around on the same issues. ... And at a certain point I think in a relationship — and certainly even as the actors playing it, because we're human — we'll be like, "We're doing this again?! (Laughs). My complaint is X, Y or Z again?" But I think that's part of the genius in the storytelling, because as a viewer, you're going to have to get so sick of something that you actually are ready for it to become something different and move on How did you prepare to shoot this episode? Capshaw: I went back and I started watching some scenes from Season 6. ... I was watching particularly the story line where it comes up that Arizona doesn't want to have kids. Callie's like, "I want to have kids." And Arizona's like, "I'm not having kids." For some reason, seeing it again really surprised me because that was a facet of her personality and who she was — and being true to who she was, was someone who did not want to have a child. ... But that was sort of the first of many instances where they were asking the other one to pound a square peg into a round hole. And when you have that happening in a relationship, I think the obstacle just ends up becoming greater and greater and greater, if you're not listening to your person and your person's saying something and you're saying, "I want something different." They started off not really listening to each other very well, in terms of answering each other's expectations or doubts or hopes. Tell us a bit about what Arizona realizes through their trial separation. Capshaw: Part of the trial separation was Arizona weathering all these storms again, and Callie was the person that she always went to to talk about it, and she can't do that anymore. So I think she realizes that she misses that part. But again, the whole is kind of what ends up getting them in trouble. And then very sadly, when Arizona realizes that she thinks this trial separation has made her see the light and that they should be together, Callie has had a completely different experience, which is that she has felt very free being without Arizona, and felt very alive and smart and proud and robust and all these great things. So, I think that her reflection that being together is actually not good for either one of them is heartbreaking, but true for her in that moment. It's funny to see Callie and Meredith (Ellen Pompeo) bond over their troubles, but it's also kind of heartwarming to see the interactions between Arizona and Alex (Justin Chambers). Capshaw: Alex is always kind of her person. It's really funny — Justin and I are good friends outside of the show and when we go to do these scenes, he's such a great actor and he's been playing this part for so long that his reactions and his playing of the character comes very easy to him. And it is very Alex. He's a boy and he's like, "Dude, get over it." Of course, I come to it as Jessica playing Arizona, and then Justin'll be like, "Dude, get over it." I'm like, "Can you please be nicer to me in that scene?" How would you describe the dynamic between Arizona and Dr. Herman? Capshaw: I think that it's ultimately a situation where we're not really sure yet what's going on with them. We know that Dr. Herman has this wealth of information and she kind of has the keys to the kingdom, and she can teach Arizona all these things. And again, going back to that Season 6 dilemma of Arizona saying, "I'm not having babies," Arizona's really ambitious. It was such an incredible part of the way that Shonda created the character. She was this incredibly ambitious know-it-all and she's not afraid to say anything to anybody. ... Now is the time where she's again ambitious. She's got her game face on this season, I think. She's in it to win it. She's like, let's do this. Obviously a lot of fans are feeling pretty devastated right now. How did you feel after the episode wrapped? Capshaw: I feel very lucky. ... I think that we felt — I can't speak for Sara, but I felt that I was glad that there was a moment where [they dealt with their problems]. I get a lot of tweets and comments where people are like, why aren't they dealing with their problems? Why do they always have problems but they don't deal with them? And we did. We put Band-Aid on top of Band-Aid on top of Band-Aid. And I think this is the ripping of the Band-Aid, and this is what's underneath the Band-Aid. It's not so pretty, but it's going to heal. And again, it just might, when it heals, come back together stronger but redefined in a different way. What did you think of the episode? Are you heartbroken over Callie and Arizona, or do you think there's still hope for them? Sound off in the comments!
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Jan 28 2015, 08:10 PM
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'Grey's Anatomy's' Sara Ramirez, Jessica Capshaw on Callie and Arizona's Devastating Decision
THR ABC's Grey's Anatomy delivered one hell of a gut-punch Thursday, when one of TV's most influential couples was forced to turn the microscope on themselves and rip off the Band-Aid that was holding their relationship together. During the hour, Callie ( Sara Ramirez) and Arizona ( Jessica Capshaw) finally sat down in couple's therapy to address the issues that have been rapidly piling up since Arizona returned from Africa to learn that Callie had slept with Mark and was pregnant. Among them: Arizona's infidelity, their current impasse about adding a second child to their family and more. The episode, which spanned more than 30 days, featured incredible flashbacks to the couple's early days: their first date, first kiss and more as Grey's continued to mine from its rich past. But the end result was a real blow when Callie, who thanks to an in-home separation, learned that she no longer wanted to try and mend her marriage. Instead, Callie voted for herself after recognizing the couple had become codependent and lost their individuality along the way. Arizona, on the other hand, had the opposite reaction and realizes that the break helped her see how rich and amazing her life with Callie was. The Hollywood Reporter caught up with stars Ramirez and Capshaw during a recent set visit to discuss the fan-favorite couple's split and what they'd like the diehard fans who saw themselves in the couple and found the courage to come out to know. How did you respond when you learned that Callie and Arizona would be breaking up? Capshaw: The conversation about their issues started with the infidelity, and [showrunner] Shonda Rhimes was very honest and said they had a 50-50 chance. I knew Callie and Arizona weren't back together and happy by the end of last season even though it seemed like they were. I got so many responses from people asking why they weren't in therapy and that might have been because they hadn't really dealt with it yet. With this episode, you see what's broken, what needs to be fixed and if it can be fixed. Both of them are very honest about who they really are. It is a shock at the end because they take this break. Ramirez: I wondered how fans would receive it but I had to let go of that concern. Having played the relationship for so many years, I knew it was a really big deal and the challenge of the emotional workload of that episode terrified me. After being in every scene in episode nine last year, I felt the weight of the emotional workload of it all. It's like any breakup: It's terrifying and exciting all at the same time. Why does Callie walk away from her marriage? Ramirez: Initially, Callie is very resistant to therapy; I don't think she knows what to expect and she's terrified of losing her wife. When they do go, Callie is also resistant to the idea of an in-home separation. She's pretty much resistant the whole time, while at the same time having a glimpse into her professional life at work without the drama of trying to fix her relationship. As the therapy sessions move go on, Callie starts to see that her life outside of the relationship is so full and that the drama is trying to fix what's wrong with this relationship. Unbeknownst to her, Callie ends up realizing that when she's not trying to fix this relationship, she's finding herself more connected to who she is. Callie lost herself in the marriage, which is something that happens to a lot of people in long-term relationships. Ramirez: She lost herself and she starts to find herself again — and that's something she did not expect in all of this. It's terrifying to make the choices she makes and it breaks her heart because she loves Arizona so much and because they obviously have this beautiful child together. It's the hardest decision Callie's ever had to make when she decides that she doesn't want to try to fix the relationship anymore. Which is incredible since she still loves Arizona romantically. Ramirez: It's not about whether she loves Arizona or not; she still loves her. But what she lets go of is trying to fix the relationship. Instead, Callie chooses to focus on finding herself again. They've been through so much that they've changed a lot as people. Callie subconsciously is resistant to therapy because she's afraid of being alone and has become codependent. Callie ends up being forced to be apart from her wife and then starts to recognize herself again and realizes over time when she's in the therapy session in the very end. It all slowly unfolds for her and I don't think she expects what she says; I don't think she goes in there planning that. There's also a pattern for Arizona where when she's having difficulties at work and feeling insecure and like things aren't going well professionally, she tends to lean on Callie. Those are the moments when she says things like, "I love you so much" and "You're all that I need." There are some repetitive things in Arizona's speech in that last scene that make Callie realize what's happening and — even when they have a very intimate night together — these are all patterns. Before, Callie is willing to let that keep going. But in that therapy session, Callie realizes she has to do something drastic because they can't keep doing this over and over again. These patterns start to reemerge, and Callie starts hearing similar things that she's heard before. That's the tip of the iceberg for Callie, so she does what she knows is right for her, and what she knows, Arizona doesn't want, so she makes a very brave and scary choice. Do you think they should have broken up? Capshaw: Filming that scene was so powerful because people ask all the time if I want them to be together. I am a romantic at heart because I want two people who are supposed to be together, who show up for each other and earn each other, to be together. I don't want people to be together when that's not happening. In this particular story, that's not happening. What's so beautiful about the episode is that you do see all the moments of their relationship: The highs like when they first meet and their first kiss; then you see Arizona sleeping with another woman; you see Callie having gotten pregnant when Arizona went to Africa. There's so many things that set them off course — and that's reality. These stories that are being told are meant to thrill you, excite you, disappoint you, and it's meant to break your heart because that's the ride that you're on when you sign up to watch this show. I'm empathetic, and I feel for the people who will be saddened by this, and yet at the same time I think there's so much possibility for story. I hope that both characters stand on their own as unique, varied, nuanced and fully formed people. What they choose to do from now on will be exciting. The direction they're both moving in is to be happy. Will they explore divorce? Capshaw: I don't know. You always point out, "Were they legally married?" I don't know if it will work out. I just know that there was a ceremony and that was all that they needed to feel married. Could they date other people? What's their next journey? Capshaw: I'm not sure. I think their next journey for these two characters is finding their joy again. They may end up being best friends who co-parent. Ramirez: There is nothing on her radar right now. It's all about work and processing the choice that she's made. She actually starts to immerse herself in her new program with Owen (Kevin McKidd) and we see her immerse herself in those challenges. She has some difficult days coming up at work. Theirs is a really interesting relationship, too, since Owen is coming to terms with Cristina's departure. Ramirez: That budding friendship is really grounded in the work, but also absolutely in recognizing that they both are going through transitions. They bond over that. This is a professional friendship that they have, but nothing more. Unless you're talking about the alternate reality episode … Ramirez: I don't know what's happening, but if anything, I think Owen and Amelia (Caterina Scorsone) share some similar things. But yes, Owen and Callie have been there for each other and they remain professional colleagues. Will Arizona fight for Callie? Capshaw: Right now it's much more a period of accepting that something is forever changed and ultimately not going to be saved. What do you do from there? How do you go forward? We all weather the ups and downs of relationships and to not tell a story about something that happens all the time would be remiss on some level. Do you think anyone is to blame for their split? Capshaw: From my perspective, it's been balanced on some level because Callie and Arizona have both been through so much. Being together for seven years is not a failure. Being together through a premature baby, a car crash, a plane crash and an amputation is not a failure. This is not a failed relationship. It is a relationship that underwent tremendous amounts of stress. They always wanted to be back together, and this story is now about what happens when it's actually not right for them to be together. It's not what you should want for them. On some level, you try and champion relationships that are healthy, hot, passionate and earned, and this one has started to operate at a constant deficit. How will their breakup impact their working relationship at the hospital? Capshaw: There is going to be a period of destabilization and unsteadiness, but my hope is that they find the things that they loved about each other — and that they continue to love about each other because they still do love each other — and figure out how to parlay that into being in a really successful relationship as co-parents, friends and colleagues. Ramirez: They don't cross paths professionally, but Callie does concern herself with how heavy Arizona's workload has become. The potential that's there is just as exciting as having these two women get married on television: seeing two women who still love each other and share a child be willing to shift their relationship into a different kind of loving relationship that's not necessarily romantic but that exists for the sake of the child's wellbeing. What if they work together better as friends sharing a child? And what if the lesson there is actually even more meaningful than the discomfort and fear around them breaking up? The potential is there, but I don't know if Shondaland writers are going to explore that. But that could be really interesting. A healthy break-up would certainly be a different story to tell. Capshaw: Exactly. That's a story worth telling. A lot of people are going through it. In seven years of playing Arizona, I have gotten so many young people who tell me their stories and part of it is having felt emboldened by watching a character on television live through what they were feeling inside. That it could give them any inspiration, solace, peace and entertainment is enormous. That being said, if fictional characters reaching into people's homes and telling stories can impact people on some level, then surely there could be some good to telling this story of two people who love each other very much, who were in a relationship together and in a marriage that didn't end as they wanted it to, but maybe turned into and parlayed into something else. Do you have a message for the diehard fans that looked at these characters to help them come out and find themselves?Capshaw: When I hear that Arizona has inspired people, I always say that the people who are living that experience inspire me. I don't know that I ever thought that I was going to be a part of something that would change people's every day, on any level, so to hear that people were wrestling issues, and again, found peace, found rest, found inspiration in a character that I have played, I could not be more pleased. Ramirez: I understand that for some fans it's going to be really hard to watch a couple that they have related to and felt really strongly about being together. I know that that's going to be really hard for some people because some people see themselves in that couple. Try to remember that just because this couple is going through what they're going through doesn't mean that you will, too. And couple's therapy doesn't always lead to break ups. Don't be afraid to work on your issues. This isn't a representation of every lesbian couple out there. Please try to remember that. What do you think about Callie and Arizona's breakup?
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Jan 29 2015, 09:33 AM
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[twitter=SaraRamirez/status/560604143463976961]
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Jan 29 2015, 10:56 AM
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#TGIT Withdrawal Promos
Greys Anatomy's Sara Ramirez & Kevin McKidd Warn of Dangers From TGIT Withdrawal
TGIT Withdrawal Promo (1) (Extended version)
TGIT Withdrawal Promo (2) (Extended version #2)
TGIT Withdrawal Promo (3)
TGIT Withdrawal Promo (4)
TGIT Is Back New Promo
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Jan 29 2015, 01:09 PM
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7 things this season of 'Grey's Anatomy' is doing right
2. Arizona and Callie are finished … for now.
It needed to happen—that’s all there is to it. As one of the most beloved relationships on the show, Calzona just wasn’t working. It wasn’t working for a very, very long time. If you try to trace it back, you could argue that the child debacle mid–Gary Clark shooting spree was the beginning. Ultimately, this was the doomed tale of two amazing women who might just not be amazing for each other. Kudos to Sara Ramirez and Jessica Capshaw for a beautifully acted Calzona-centric episode in “Bend and Break.” When Callie said, “I want you to feel free too,” it was apparent that, for now, Callie and Arizona just weren’t meant to happen.
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Jan 29 2015, 01:20 PM
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Jessica Capshaw: Grey's Anatomy Won't Taunt the Callie/Arizona Fans
Comfort doesn’t get much colder. But, according to Jessica Capshaw, ABC’s Grey’s Anatomy will be merciful to “Calzona” ‘shippers by keeping the separated marrieds… well, seperated in the wake of their heartrending break-up, when Season 11 resumes on Jan. 29.
“It’s respectful to the fans that really want them to be together,” Arizona’s portrayer told TVLine at a Television Critics Association press tour soiree, “because they don’t have to see them almost be together in every episode.”
“It’s so smart of [the writers],” she added. “It hasn’t held any sort of inauthenticity. If you break up with someone, you would want some space.”
That distance not only is affording the audience a period of mourning, it’s also allowing Callie (played by Sara Ramirez) and Arizona to reboot as individuals. “The best thing the writers could have done, which is what they did for at least these next six episodes, is have [Arizona and Callie] just be on their own,” the actress noted. “They haven’t had to butt up against each other or be sad. They both dove into their own lives and have lived there.”
“In a lot of ways, it harkens back to when Arizona first showed up [in Seattle],” she went on. “She’s working with Bailey again — Bailey is still putting it to her, and she’s still pushing back; she gets to work with Amelia Shepherd on [the] Dr. Herman [case]; and there’s still Karev, who shows up for her in a very significant way.”
Of course, in time, someone else is almost certain to show up for Arizona and/or Callie — as in a new romantic interest. (Paging Dr. Lauren Boswell? Oh, how we wish.) But perhaps also out of respect for Calzona fans, Capshaw insisted that she wasn’t aware of any new hook-ups on the horizon. (“You have to remember that Callie likes men as well,” she reminds, “so… who knows?”)
One thing of which Capshaw is certain is that the marriage is thoroughly damaged. “[The separation] wasn’t without thought,” she said. “It was very well-explained. They walked [viewers through] every facet of it.”
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Jan 29 2015, 01:24 PM
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Matt's Inside Line: Scoop on Grey's
What’s next for Grey’s Anatomy‘s Meredith/Derek after the way they left things in the fall finale?
I have no idea — repeat, no idea—if the following relates at all to MerDer, but Jessica Capshaw and Camilla Luddington has a blast teasing for me the back half of Season 11. I can’t possibly do the beauties’ banter justice, so here’s a transcript: JC | There’s such huge stuff coming! And it’s so top-secret we can’t even tell you who it involves. CL | I’ve been advising wine and tissues. JC | See, I’ve been advising tequila, but only the good stuff. I have also been saying – and I might need to patent this idea — that you need to get an iPhone-like cover for your flat-screen TV, because you’re going to be throwing stuff. CL | At the table read, people were crying….. There’s no relaxing. There’s no calm before the storm. It’s just storm. All storm, all the time. JC | And [Camilla]’s been in her underwear more than all of the past year. CL | A lot of underwear. A lot of nudity. Seriously. JC | And remember when I was there while you were in your underwear…? CL | Teasey!
At that point I got faint, dropped my tape recorder.
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Jan 29 2015, 01:33 PM
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Grey's Anatomy Fans: Don't Rule Out This Baby Storyline Just Yet
Grey’s Anatomy‘s Callie Torres was angling to have a second baby (via adoption), until her already tenuous marriage to Arizona Robbins crumbled to pieces this fall.
And for so long, Owen Hunt lobbied Cristina Yang to start a family, only to be rebuffed every step of the way — right up until his ex-wife left Seattle for greener pastures in Zurich.
Might Callie (who’s bisexual) and Owen, each now quite eligible and regularly working side-by-side at Grey+Sloan, ultimately come together as a couple, and satisfy their common want?
Series creator Shonda Rhimes, when asked if she ever was tempted to pair the characters in part toward that common goal — rather than steer Owen (played by Kevin McKidd) toward Amelia Shepherd, as seems the plan — didn’t rebuff the idea outright. At all.
“I have thought of that — and I don’t know why that is still not a possibility. I don’t know why you think that’s not a possibility,” she answered. “Yeah, we’ve thought of every possibility for Owen and how he can have a baby — believe me.”
The question, though, may be whether Callie (Sara Ramirez) is still itching to give Sofia (her and Arizona’s daughter via the late Mark Sloan) a sibling, now that she is single and gradually getting ready to mingle.
As Season 11 resumes Thursday, Jan. 29, “Callie is trying to figure out who she is, by herself,” Rhimes previews. “That’s her plan, it’s what shes doing, and it’s very charming to watch her try to get back out there and see what it’s like.”
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Jan 29 2015, 02:11 PM
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'Grey's Anatomy': Callie and Arizona Will Explore Dating Other People
"We do it slowly and interestingly, and then we're going to take our little steps," the showrunner tells THR.
When ABC's Grey's Anatomy comes back from its winter hiatus, Callie (Sara Ramirez) and Arizona (Jessica Capshaw) — fresh off their split — are going to be exploring new territory: themselves.
To hear showrunner Shonda Rhimes tell it, the beloved characters journey in the second half of season 11 will be to figure out who they are as individuals now — and where their love for one another goes.
"It's lovely to get to know Arizona not as somebody in a relationship with Callie, and as this person who has come through this relationship with Callie and who she is now," Rhimes tells The Hollywood Reporter. "We're trying to figure out who she is now, and it's interesting to see Callie figure out who she is now."
The Oct. 23 episode delivered a gut punch to Callie and Arizona fans when the former decided it was time to rip off the Band-Aid holding their marriage together and that she'd lost her individuality and needed to reestablish who she was before tending to their relationship.
"When a couple breaks up, I always ask: Where does the love go? It's not like you don't still love the person; the love just doesn't disappear," Rhimes says. "But you can't love the person. It's really great watching them try to figure out how to be friends, how to love each other as friends and co-parents, and how to support each other when the other person needs it without it being weird or without it being too much."
The second half of season 11 will see Callie and Arizona learning how to best interact with each other as friends and as parents to their daughter — as well as dating new people.
"We reach a place where there is an exploration of them dating and getting back out there into the world," Rhimes says. "I didn't want to rush it. I didn't want to throw them at other people because I feel the same as with Owen (Kevin McKidd) — you have to be respectful of the relationship they had. We do it slowly and interestingly, and then we're going to take our little steps. But it's been really fun to put them out there and find people that they're intrigued by."
While it's unclear if the out and proud bisexual Callie will date a man or a woman, Rhimes says she and star Ramirez have had a lot of conversations about the discrimination that the bisexual community often faces.
"I've read a lot about that concept that bisexuality has not had a lot of support. One of my favorite things that we did in the Callie and Arizona episode is Callie announcing that she's bisexual, which by the way, I think nobody has ever done that on television, like 'I'm bisexual,' which I think is crazy," Rhimes says. "I love that she's determinedly bisexual. She's not somebody who is straight who discovers she's a lesbian; she's bisexual and feels very strongly about that. That's been interesting for us to navigate — and the character sticks to it. Arizona was always a little dismissive of that. In the early days of their relationship, the fight they always had was, 'You're taking a tour through being a lesbian and you're going to go back to men.' "
While reconciliation doesn't appear to be in the immediate cards, Rhimes still has high hopes for Callie and Arizona winding up together.
"I'm always rooting for Arizona and Callie to be together," says Rhimes, who notes that she has the couple's wedding cake topper in her office as a keepsake. "For me, I think they're the perfect couple, but that's not to say they're going to be together. For me, they're the perfect couple. It would make me very sad if they were apart. That doesn't mean that they're going to be able to work out their problems and get it together in time, for when ever the show is going to end. But I hope so. If they can, I think it would be amazing. But until they do, there's other people to explore."
As for Arizona, she'll be throwing herself into work and focusing on curing Dr. Herman (Geena Davis) in what Rhimes calls a "really powerful, amazing and beautiful story" between the two characters.
"What's super cool about that is after that huge, momentous occasion, for the next six episodes — which are the only ones I know — we have not focused on Arizona and Callie in their romantic aftermath," Capshaw tells THR. "We've gotten to let the characters be separate but equal, and follow them in the other part of their life — at work — and explore their passions, sense of humor and friendships."
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Jan 29 2015, 02:16 PM
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Grey's Anatomy Season 11 Promo "Hold On To Your Hearts"
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Jan 29 2015, 02:41 PM
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Grey's Anatomy: Shonda Rhimes on MerDer's 'Intense' Obstacles, Two Docs' 'Wonderful Journey' and More
SOMETHING ‘WONDERFUL’ | Jackson wasn’t the only Grey+SloanGrey's Anatomy Spoilers doc to get a shocking earful in the midseason finale. Arizona — having duped Dr. Herman’s medical records into her possession – learned from a consult with Amelia that her mentor’s brain tumor is not necessarily fatal. Of course, to share that news with Herman will require Arizona copping to her snooping. “It’s going to be really interesting watch what happens” on that front, Rhimes says, adding that as a result, “We definitely get more of Geena Davis” (as Dr. Herman). “Arizona and Dr. Herman end up having a wonderful journey together in this back half of the season.”
Speaking of Arizona and journeys, estranged wife Callie will be on one of her own, “trying to figure out who she is by herself,” Rhimes previews. “[Finding herself] was sort of her plan, and it’s very charming to watch her try to get back out there and see what it’s like — and how to figure out how to be a friend with Arizona.”
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Jan 29 2015, 06:39 PM
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Spoiler Room: Scoop on Grey's
Are Callie and Arizona really going to be dating other people on Grey’s Anatomy?
Alas, it’s true—but it’s not going to happen right away. “I really was resistant to the idea of sticking them together with somebody else,” executive producer Shonda Rhimes tells me. “We’re just reaching the point in our storytelling—episode 13 or 14 in the scripts—and they’re actually starting to date other people and figure out what that is. But that part is just beginning. I am still a staunch believer that they can figure it out. I’m not saying they’re going to, but I am one of their fans as a couple because I love their story together. I love who they are together. I want them to work out their crap and get it together.” Me too, Shonda—me too.
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Jan 29 2015, 06:43 PM
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CTV Promo | GREY'S ANATOMY 11x09 ”Where Do We Go From Here? ” (Extended)
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Jan 29 2015, 07:12 PM
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Grey's Anatomy - Episode 11.09 - Where Do We Go From Here - Promotional Photos
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Jan 29 2015, 07:15 PM
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Grey's Anatomy 11x09 Short Promo "Where Do We Go From Here"
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Jan 29 2015, 07:25 PM
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Grey's Anatomy - Episode 11.09 - Where Do We Go From Here - Press Release
ON ABC'S "GREY'S ANATOMY" (1/29) MEREDITH AND APRIL ARE BUSINESS AS USUAL AT THE HOSPITAL DESPITE TURMOIL IN THEIR PERSONAL LIVES, ON ABC’S “GREY’S ANATOMY”
Guest Starring Geena Davis (“Thelma & Louise”) and Kelly McCreary (“Dr. Emily Owens, MD”)
“Where Do We Go From Here” – As Derek prepares for his move to DC, Meredith keeps herself busy at the hospital. Meanwhile, Jackson and April deal with difficult news, and Arizona and Amelia discuss how to best approach Dr. Herman, on “Grey’s Anatomy,” THURSDAY, JANUARY 29 (8:00-9:00 p.m., ET) on the ABC Television Network. “Grey’s Anatomy” stars Ellen Pompeo as Meredith Grey, Patrick Dempsey as Derek Shepherd, Justin Chambers as Alex Karev, Chandra Wilson as Miranda Bailey, James Pickens, Jr. as Richard Webber, Sara Ramirez as Callie Torres, Kevin McKidd as Owen Hunt, Jessica Capshaw as Arizona Robbins, Jesse Williams as Jackson Avery, Sarah Drew as April Kepner, Caterina Scorsone as Amelia Shepherd, Camilla Luddington as Jo Wilson, and Jerrika Hinton as Stephanie Edwards. Guest cast TBA. “Where Do We Go From Here” was written by Meg Marinis and directed by Debbie Allen.
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Jan 29 2015, 09:04 PM
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'Grey's Anatomy' boss teases new doctors and new relationships
When Grey’s Anatomy returns, some doctors may be on the rocks, while others will be finding new relationships—oh, and there will also be some new doctors coming to Grey Sloan Memorial, according to executive producer Shonda Rhimes, who gives EW a rundown of what’s in store for the second half of the season:
Callie (Sara Ramirez) and Arizona (Jessica Capshaw) are working on finding themselves separately, so what can you tease of their story lines in the second half of the season? Will we see some new love interests? Rhimes: Right when we started the second half of the season, I really was resistant to the idea of sticking them together with somebody else. As sensitive as I am about just sticking Owen [Kevin McKidd] with somebody is how sensitive I am about sticking Arizona or Callie with somebody. But I love playing: where does the love go? If you break up with somebody, it’s not like you don’t love them anymore. They’re right there. There’s a lot of the pull of who they are together now. Are they friends? What’s that mean? Are they still there for one another in times of need? Arizona is really focused on her education that she’s getting from Dr. Herman [Geena Davis] and that grows more intense as time goes by and turns into a really amazing story. Geena Davis is incredible. Her focus is really there. Callie’s focus is really on trying to grow herself. We’re just reaching the point in our storytelling—and I will tell you I’m on episode 13 or 14 in the scripts, not in the shooting—and they’re actually starting to date other people and figure out what that is, but that part is just beginning.
As a Calzona fan, that makes me nervous. Rhimes: It makes me nervous too. I have to tell you, it makes me nervous too. I am still a staunch believer that they can figure it out. I’m not saying they’re going to, but I am one of their fans as a couple because I love their story together. I love who they are together. I want them to work out their crap and get it together.
Somebody we know or somebody we’re going to meet? Rhimes: We need some more boys, I feel, so we’re bringing in some men.
New doctors? Rhimes: Possibly. I’m not saying that these new doctors are going to be new series regulars. I’m just saying we need an infusion of men. Suddenly I was like, “We have a lot of chicks and don’t have anybody to date.” Also, Bailey [Chandra Wilson] and Ben [Jason George] are having some really interesting struggles as a couple, and that’s going to be interesting.
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Jan 29 2015, 09:43 PM
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Is There Hope For Calzona on Grey's Anatomy? Jessica Capshaw on the Fate of the Fan-Favorite Romance
It's a tough time to be a Calzona fan. The Grey's Anatomy fan-favorite couple of Callie (Sara Ramirez) and Arizona (Jessica Capshaw) have had more than a few seasons worth of heartbreak and struggles, and it all culminated in an official breakup before the ABC show went on winter break.
But in the wise words of executive producer and all-around kick-ass TV boss Shonda Rhimes, "Anything is possible." So is there hope for these two to get back together in the future, despite how bleak their chances might seem as of now?
We took that question straight to Capshaw herself, but her answer isn't as optimistic as we hoped it would be.
"I don't know," Capshaw tells E! News. "I really don't know, so I can't even say that I'm hiding a secret!"
While Capshaw knows that a Calzona breakup may not be what the fans wanted, she knows that it's what the characters needed. "I hope that the episode just really showed that they needed [to break up]," Capshaw says. "They got to a place where they were so stuck and so broken that the only way to go was to be apart."
Press play on the video above now to see what else Capshaw has to say about Calzona and what's coming up for Arizona this season!
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Jan 29 2015, 09:46 PM
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E! online interview - Jessica Capshaw talks Grey's Anatomy love drama
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