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| Album Reviews; Everyone Loves Music, Right? | |
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| Topic Started: Mar 27 2011, 04:44 AM (11,690 Views) | |
| failureatlife | Jun 29 2011, 02:46 AM Post #121 |
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Indiscriminately discriminates
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Artist: Rival Sons Album: Pressure and Time Released: June 20 (UK)/ 28 (US), 2011 Posted Image Introduction: A little while back, about four months ago, I got an issue of Classic Rock magazine for my birthday. With that magazine came a CD with a mix of songs from artists that the magazine recommended to look out for this year. Among this mix was a song called "Young Love" by a band called Rival Sons.They described the song as an Aerosmithian blues rocker. They mentioned that the would be releasing an album in June, so I marked my calendar and pre-ordered the album. A week ago, I got it. And it didn't disappoint at all. The Good: When I was waiting for the album to be released, I was worried that the album would suffer from what I dub "Guitar Hero Syndrome," which is when you hear a song by itself and you come to love it, but when you purchase an album from the band, the rest of the songs just aren't as good as that one song you've heard before and you only listen to that song. I'm happy to say that the album doesn't suffer from it all. I listened to the album and I found hooks and great parts in each song. This is one of the few albums that I can identify each of the individual songs and separate them from each other. The style is pure blues rock. Not like The Black Keys or any other modern blues-influenced rock group. This is raw, dirty, gnarly blues rock. The attitude of this album is bold, brash, and sleazy. The guitar has an especially nasty fuzz tone, which just sets that right tone for the style. The bass grooves with the drums on a driving rhythm section. But the absolute best part is the singer. He has mad skills. He just this soulful wailing quality while not going to any falsetto. While I really love all of the songs, the stand-out tracks are the title track, "All Over The Road", "Young Love", and "Burn Down Los Angeles". The Bad: This part really is the much harder part of the review. I could give you that bullshit about how it's derivative and how it's not pushing the genre the forward at all and that could be true. But when it comes down to it, most blues-rock is derivative and lacks a ground-breaking nature anyway. Instead, I'll talk about something else. I bought the album on iTunes and, because I did, I got two bonus tracks that you would otherwise not get. And sadly, these songs don't really have that same essence that the main album did. I mean, it's the same style, and they possess the same attributes that made the album great, but they just aren't as good. They still are pretty damn good, but I wouldn't have complained if they weren't there. The better of the two is "This Life On The Road". It has a nice sound but isn't as needless as the other. Two more things. First, the album is a little short. Not including the bonus tracks, there are only ten songs and most are between 2:30 to 3:30 in length, making the album barely over half an hour. Lastly, and this an extremely petty gripe, the album art is pretentious as fuck and doesn't really fit the album at all. The Verdict: A lot of people bash "modern classic rock" bands as being a cash-in on nostalgia and not forging new paths into music. But rarely does one of these bands have an album with this kind of attitude and power, all while having a near perfect hit/miss ratio of songs. Seriously, 12 songs here and 11 of them are anywhere really good to fantastic. And this singer is great. He really makes the sound. So, if you use iTunes, the song "Pressure and Time" is free to download this week. You might want to check it out. All the songs are .99, but I highly recommend getting the whole album. If you really give this band it's due, go out and find the CD and buy it. Or you could be evil and pirate it. But I know you're all better than that. :P Score: 9/10 (And I really mean it.) Track Listing: 01. All Over The Road 02.Young Love 03.Pressure & Time 04.Only One 05.Get Mine 06.Burn Down Los Angeles 07.Save Me 08.Gypsy Heart 09.White Noise 10.Face Of Light iTunes Bonus Track #1: Company Man iTunes Bonus Track #2: This Life On The Road |
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| YoYoGuy435 | Jun 29 2011, 02:58 AM Post #122 |
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Really bad scum
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Wow, I need to get out more... I had no idea this thread was here. I'll probably be posting here more often now that I know it's here. |
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| DrFreshey | Jun 29 2011, 03:44 AM Post #123 |
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If you ain't out of control, you ain't in control!
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Artist: Black Sabbath Album: TYR Release: August 20, 1990 Posted Image Misc.: TYR is Black Sabbath's third album with Tony Martin on vocals. It features songs revolving around Norse mythology, and plays like a concept album, though Neil Murray has refuted these rumors. REVIEW: Good: The line-up on this album is extremely solid, and Tony Martin is extremely underrated. In addition to his powerful vocals, Neil's practical and guiding basslines, Cozy's powerful drum rhythms, and Iommi's ever-present and much loved anti-virtuosity, there is another thing about this line-up that makes it special. Geoff Nicholls's omnipresent and tasteful key licks help to give this a darker sound than most post-Ozzy Sabbath. On this album, every single aspect of the band compliments another; if you were to take away any of the instruments it would be boring and bland, but altogether, they make the album extremely exciting. Each song lets a different part of the band shine through, from Tony Martin's powerful performance on "Jerusalem", to Tony Iommi's solo on "The Sabbath Stones", to Goff Nicholls's desparate performance on "The Battle of Tyr". Bad: As usually happens on an album where every song revolves around a similar source material, the album can get repetitive, and some of the tracks, like "Heaven in Black", can become very predictable. Also, listening to certain songs alone will cause the song to either begin or end on an awkward note. In other words, concept album or not, the album is best listened to in its entirety, or not at all. That really damages its enjoyability. Conclusion: This is a very good, if demanding, album that showcases a line-up of Black Sabbath that never gets the credit it deserves. A solid, and underrated album. Score: 8.75/10 Full album on YouTube: http://www.youtube.com/playlist?p=PL95FAA8AF2B829ABE |
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| YoYoGuy435 | Jun 29 2011, 04:03 AM Post #124 |
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Really bad scum
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Artist: Tool EP: Opiate Release Date: March 10, 1992 Posted Image Introduction: I was introduced to Tool about 2 years ago upon me getting Guitar Hero: World Tour. I’ll be honest I was less than impressed when I first started listening to them, but like a drug I slowly became addicted. This addiction then slowly evolved into an obsession. The deepness of this band was beyond my comprehension. So after I had learned to appreciate this band I actually took the time and listened to the full album and had mixed feelings. The Good: The whole feel of this EP was raw and untamed. It’s a sort of sound that you just don’t get in their more recent albums. It had good songs all around from Cold and Ugly to Sweat. My favorite song on the whole EP had to be Hush. It had an awesome bass groove and gave a big “Fuck You” towards government censorship while still being able to keep a beat and remain musical amongst all the swearing. When I listened to the EP I was able to take lyrics and apply them to my life, such as “it’s only wrong if you get caught”. Upon hearing that I had come to the realization of how true that was. That in today’s society you don’t really think of anything as being wrong unless you do get caught. All in all, the EP was full of deep, and meaningful lyrics that I will not soon forget. The Bad: Like most opening albums/EPs I felt that their sound was a little bit too wild and untamed. I also don’t like their stance on religion, which I know most people won’t care about, but I just feel like religion is something that shouldn’t be touched on though music like they did. I can’t find too many things to complain about though, so that’s about it. My Conclusion: All in all I felt like this was one of the best opening albums/EPs I had ever listened to and that while they were still trying to discover their sound they had managed to still make their music, actually musical and not too awkward sounding. My Final Rating: (8/10) Track Listing: 1. Sweat 2. Hush (music video in this link) 3. Part of Me (Live) 4. Cold and Ugly (Live) 5. Jerk Off (Live) 6. Opiate Hidden Track: The Gaping Lotus Express |
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| failureatlife | Aug 15 2011, 12:34 AM Post #125 |
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Indiscriminately discriminates
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Artist: The White Stripes Album: Get Behind Me Satan Release Date: June 7, 2005 Posted Image Introduction: The White Stripes are known for their reliance on simplicity, their driving songs, gritty guitar tones, and Meg White's less-than-stellar drumming skills. Honestly, Get Behind Me Satan downplays all but the simplicity for most of the tracks on this album. While there are a few classic White Stripes styled songs on here, most are softer on the ears and many use pianos, acoustic guitars, and mandolins instead of Jack White's gritty, sloppy, IDGAF style of guitar playing. While that's not necessarily a bad thing, it might alienate listeners. Review: Now, when you start at the beginning to listen, you might think that my above statements are utterly retarded, as the opening song "Blue Orchid" is a driving song with a gritty electric guitar riff that almost sounds robotic. But this is just a ruse. The next song, "The Nurse" starts of with marimba and is a clear departure from all that they have done before. This trend continues for a while, with the exceptions of "Instinct Blues" and "Take, Take, Take" where the band returns to their style of garage rock. As I said above, the fact that this is a departure from albums such White Blood Cells and De Stijl isn't a bad thing. Songs like "Forever For Her (Is Over For Me)", "The Denial Twist", and "Passive Manipulation"(which has some pretty odd lyrics) are all great songs that probably couldn't work on the band's earlier work. The thing is, it's a pretty radical change from the sound you know. You can still hear the same songwriting style and influence in the songs here, but it's different. Jack White's voice and lyrics are as good as ever, which is great. Meg White's drumming is still simple, which is great for some, negligible for others, and still a dealbreaker for others. At least some things never change. Verdict: I have a tough time with this. There's nothing particularly "bad" with this album. It's not really forgettable or shallow. There are still really good songs on here. The only thing that I could say is a flaw is that it's different. But I just can't get that same feeling that I get from White Blood Cells, The White Stripes, or even Elephants. It's still worth listening to, but I strongly recommend every other album by them before this. Track List 1."Blue Orchid" – 2:37 x 2."The Nurse" – 3:47 3."My Doorbell" – 4:01 4."Forever for Her (Is Over for Me)" – 3:15 x 5."Little Ghost" – 2:18 6."The Denial Twist" – 2:35 x 7."White Moon" – 4:01 8."Instinct Blues" – 4:16 x 9."Passive Manipulation" – 0:35 10"Take, Take, Take" – 4:22 11."As Ugly as I Seem" – 4:10 12."Red Rain" – 3:52 13."I'm Lonely (But I Ain't That Lonely Yet)" – 4:19 "x" indicates recommended track Full Album |
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| kmr95 | Aug 18 2011, 06:18 AM Post #126 |
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No Flex Zone
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Artist: Blue Scholars Album: Bayani (or Bayani Redux) Release Date (Nationwide): June 12, 2007 Posted Image Introduction: For those who were never in SC6, or for those who were and forgot, the Blue Scholars are a underground hip-hop duo based in Seattle. I chose the song "No Rest for the Weary" in that SC, however that is not in Bayani. Anyway, with hip-hop's classic duo of one MC (Geologic/Prometheus Brown) and one DJ (Sabzi), they make up the Blue Scholars. Bayani is the second album they have released, and the themes of this album tackle issues both locally and nationally. Geologic is of Filipino decent, and I believe "Bayani" is a word in Tagalog, and the first interlude has something to do with his heritage. CSC might know this shit better than me though, I just looked into it a bit. Anyway... The Good Sabzi's beats are absolutely dope. They're great, catchy, and fit perfectly with what Geo is rapping about. Geologic is an outstanding MC, especially in this album. The lines in this song are so deep, well-written, and true. Geo raps about real shit, and he's not afraid to voice his opinion on it. The chemistry between Geo and Sabzi is incredible, and this album is pure proof of that. Songs such as "Loyalty", "North By Northwest", "Opening Salvo", "50 Thousand Deep" and "Back Home" are some of the best songs I've ever heard in my life. Seriously. The Bad Uhh... what bad? I mean... um, I can't stop listening to this album so it's gonna be tough to listen to something else other than this, that's the bad thing. Okay, for real now, there's an interlude or two that are kinda meh, and I kind of lose the feeling I get listening to this album, but it comes back right away the next song. The Verdict: 9.75/10 All songs are great, and this album is absolutely amazing. It's one of the best I've ever heard. Track List 1. Baha'i Healing Prayer 2. Second Chapter 3. Opening Salvo 4. North By Northwest 5. Ordinary Guys 6. Still Got Love 7. Bayani 8. Loyalty 9. Fire for the People 10. Xenophobia 11. The Distance 12. Back Home 13. 50 Thousand Deep 14. Morning of America 15. Joe Metro Bonus Tracks, all of these together available on Bayani Redux only 1. 27 2. Southbound 3. Dawn Song (feat. Shad) |
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| cscrocker | Aug 18 2011, 08:48 AM Post #127 |
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Ang tanging Pilipino sa forum na ito
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Didn't heard of Blue Scholars until 3 months ago. I don't think Blue Scholars is even popular here. I was on a hip hop binge and I happen to stumble on one of their songs (can't remember what it was). Btw, Bayani means hero in Tagalog (for those who don't know). |
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| kmr95 | Aug 18 2011, 05:45 PM Post #128 |
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No Flex Zone
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I don't think you would know them. They're not well known outside the Pacific Northwest. (Washington state, Oregon, Idaho) |
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| failureatlife | Aug 19 2011, 12:38 AM Post #129 |
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Indiscriminately discriminates
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Artist: The Who Album: Quadrophenia Release Date: October 19, 1973 Posted Image Introduction: The Who is often considered one of the greatest rock groups of all time. Now, that statement right there immediately compromises my critical integrity, but I'm gonna do this anyway. The Who had already had five albums under their belt at this time, including their first rock opera Tommy and their most recent, the monumentally successful Who's Next. Quadrophenia would be their next album in the style of a rock opera, focusing around a young man named Jimmy Cooper, who lives in the London area in the mid-60's during the peak/end of the Mod movement. Jimmy is dealing with a case of schizophrenia, split between four different personalities, them being "the tough guy, the romantic, the bloody lunatic, and the beggar." The title is a play on words, because Jimmy is dealing with schizophrenia with four personalities. Review: As it is a rock opera, the album's songs are in their specific order to tell the story of our friend Jimmy. It starts off quietly with just the sounds of the ocean and a lone singer, before launching into "The Real Me", a loud and gutsy rocker. The style of the album's music is rather anthem oriented, with most songs having an "epic" hook. That really works in its favor, as it builds of the approach of the previous album's songs. One thing I really loved was one piece of music found throughout the album, which is part of the album's finale, "Love Reign O'er Me," which is without doubt one of the best songs Pete Townshend ever wrote. While early Who work was much more blues based, this is after The Who really developed their own style. You can still here those influences of blues in this album, it has many other styles in here. There's a few synthy/keyboardy parts and brass instruments, but there's actually lots of parts with string sections, further giving that feel of "epicness". Any other praise given to this album would just be your standard "The Who is amazing." Daltrey is still one of the greatest rock singers to ever exist. Pete Townshend is still an amazing songwriter and still can play guitar extremely well. Moon and Entwistle still make up the most insane rhythm section in rock. Verdict: Honestly, IMO, The Who can kinda do no wrong. Quadrophenia is a testament to their creativity and their sheer brilliance as a band. The album stays interesting to listen and no songs really overstay their welcome. If you've never listened to this, do yourself a favor and do it. Now. Track Listing: Side one 01."I Am the Sea" – 2:08 02."The Real Me" – 3:20 03."Quadrophenia" – 6:13 04."Cut My Hair" – 3:44 05."The Punk and the Godfather"[13] – 5:10 Side two 06."I'm One" – 2:37 07."The Dirty Jobs" – 4:28 08."Helpless Dancer" (Roger's theme) – 2:33 09."Is It in My Head" – 3:43 10."I've Had Enough" – 6:14 Side three 11."5:15" – 5:00 12."Sea and Sand" – 5:01 13."Drowned" – 5:26 14."Bell Boy" (Keith's theme) – 4:55 Side four 15."Doctor Jimmy" (John's theme) – 8:36 16."The Rock" – 6:37 17."Love, Reign O'er Me" (Pete's theme) – 5:48 |
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| BigMac | Aug 19 2011, 12:46 AM Post #130 |
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Real Trill Shit
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I listened to that album a couple of weeks ago. I lurved it sooo much. |
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| DucksFAN93 | Sep 5 2011, 02:25 AM Post #131 |
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The Sports Nut Member
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Artist: The Red Jumpsuit Apparatus Album: Am I The Enemy Label: Collective Sounds Posted Image The Good: Returning to post-hardcore roots, The Red Jumpsuit Apparatus sounds more like they did in their debut than their previous album Lonely Road. There's a reason that this is in the good, and not in the "introduction" area. I missed the screaming parts, and they are back. Hitting another note, however, album starter "Salvation" is electronically inspired and is really catchy. On "Reap", the album's first single, old RJA rears it's beautiful head. Screamo and all. A siren intro kicks into screamo, then with a great hook-laden chorus. "Am I The Enemy", the title track is really good, as the bass is very noticeable. Also a great moment is when before the bridge, lead singer Ronnie Winter holds out "enemy" in screamed fashion. "Dreams" features double bass. "Dive Too Deep" appropriately showcases Winter's incredible pipes, and has a nice piano tune for half the track. "Where Are The Heroes" is one of the best RJA has to offer. Screaming only at the climax of the song, and a great chorus backed by hard rocking chords. Oh, did I mention that the guitarist rips a solo? Yeah, a solo. And on, and on it goes for the good. As usual, The Red Jumpsuit Apparatus is not the usual band in its genre. Optimistic and upbeat, this band charges on at social ills in a positive way. "Don't lose hope/ Even though you can't see it I know/ Things are getting better/ Don't let go/ We are here with you, you know/ Everyone needs time/ So don't lose hope" the band says in "Don't Lose Hope". I love that song and its message, so definitely check it out. The Bad: 12 songs, one of the songs, "Choke" was on their EP Hell Or Highwater, and the 12th song is just a radio edit of "Reap". Lots of "oh" interludes. Album art? Conclusion: The album [/I]Lonely Road should've been. Definitely recreates the hit magic their debut album had and some. Highly polished in ever aspect, it is clear the band actually gives a crap about the music they are giving their fans, and it is appreciated. Steps up in guitar work, drumming, and Ronnie's vocal range make this their best album yet. All I can say is, you can spare $9.99 for this record, so support the band. At the very least, check out "Reap", "Am I The Enemy", "Dreams", and "Don't Lose Hope". |
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| CALJR_8760 | Sep 15 2011, 03:07 AM Post #132 |
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The Lonely One
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Artist: Anthrax Album: Worship Music Release Date: September 13, 2011 Posted Image As some of you may know I'm a huge Belladonna-era Anthrax fan, so when I heard that a new album featuring Belladonna on vocals was coming out I was immediately jumping up and down. When I first heard Fight Em Til You Can't played live (two days after I saw them) all I could think was "This is amazing, pure Anthrax). When the studio version was released I was a little dissapointed due to the poppy guitar in the chorus. After a few listens though it didn't really bother me and it became I song I listened to constantly, but I was worried the rest of the album was going to be poppy. Flash forward to when I listened to the album for the first time and that doubt dissappeared and I realized that Fight 'Em is the second weakest track on the album. Now the album is catchy as hell, but at the same time it sure isn't a pop record or close to it, just that Belladonna can still sing his fuckin ass off. The album starts off with Worship, a little instrumental intro. Theres not much to it, but it sounds great and leads right into the first song of the album, Earth on Hell. This is definitely the most Thrash song on the album, its just pure balls to the wall metal, but like any other Anthrax song the melody make it a sing-a-long, a kick ass sing-a-long though. The song also has some great drum work and guitar work on it, just pure old school Anthrax. The next two songs have been out for awhile now, first is The Devil You Know, a hard rockin metal song that is probably the most classic Anthrax song on the album. After that is Fight Em' Til You Can't the second most thrashy song on the album and ironically the one with the most poppy sound to it during the chorus. After this the album takes a turn for a more progressive sound for pretty much the rest of the album. It starts off with I'm Alive, my personal favorite of the album. The intro to it is just heaven from the first guitar coming in so beatifully, then the rest of the instument section coming in and making it even better, then finally Belladonna coming in with this awesome Oooh oooh oooh thing going on. I litterally find myself singing this song practically all day. Maybe lyrically the song gets to me for some reason, I don't know, but I know I love it. The next track is another instrumental, Hymn 1, the best of the instrumentals, but like the others, theres not much to it. In the End is just an epic song from start to finish, the riff is simple, but really just drives the song so great with Belladonna's operatic style on this song along with the bell in the background, then the end of the song is just brutal. The Giant I wasn't that big of a fan of it originally, but after the second or third listen, it became one of my favorties. The chorus is where it really shines, alot going on and just amazing harmonies, but the songs also features probably the best riff on the album. Another instrumental, this time Hymn 2, transitions the album to the next song, Judas Priest. When I heard about this song I figured it was going to be their best impersonation of Judas Priest. Instrumentally it still sounds like a Anthrax song, but the tribute comes in the vocals and more the lyrics which sound like something Judas Priest would right, if Judas Priest put a ton of refrences to themselves in their songs. The next track Crawl is without a doubt Belladonna's best performance on the album, and perhaps one of his best in his career. It shows his versatility as a singer and shows he can hit the lower notes, no matter what people may think. The Constant is somewhat of an odd song on the album. Its not bad in any way, but its the one track on the album that you can definetly tell was meant with another singer in mind *cough Bush cough*, or at least in the chorus. The thing is, Joey still kills it. Also the accoustic parts (or accoustic sounding parts) to song make it even more unique, definetly a stand out track. Revolution Screams seems at first kind of like filler...at first, the second half brings it around and is one of the best parts of the album, just pure fuckin metal carnage. Finnally we get to the worst dissapointment of the album. For one I had to wait through five fuckin minutes of dead silence to hear it, only to be dissapointed. Its a cover of The Refused song New Noise. You would think Anthrax of all bands, a band known for covering unlikely songs and making great versions out of them that normally surpass the original and are considered standout tracks, could do something good with this. Unfortanetly it just sounds like a very generic modern rock song and its only redeeming qualities really is the intro and the vocals in the verse, simply because its something different from what Joey normally sings. I realized alot of this seemed to be focused on Joey, but thats for two reasons, one is that this album has some great melodies and the other is that while great, unlike early Anthrax albums, Charlies and Frank simply aren't putting anything truly memorable into the songs such as the drum intro to Indians or the bass line to Caught in a Mosh. Theres also not much talk of the guitar because great riffs are a given, but also because theres not a single standout solo on the album. While these are downsides, its not that big of a deal because everything just goes so well together, just perfect unity. Also Charlie does have some good drum parts on this album including some solos, just nothing that really stands out compared to his other work with the band, and SOD, throughout the years, and nothing near as good as his live solos. So, the conclusion? Theres a few downsides, but this album is just amazing and overshadows those downsides. The biggest downside is the cover and since I have to wait five minutes to hear the song, I'll probably just end up skippin it anyway. Score: 9.5/10 Tracklisting: 1. Worship 2. Earth On Hell 3. The Devil You Know 4. Fight 'Em Til You Can't 5. I'm Alive 6. Hymn 1 7. In the End 8. The Giant 9. Hymn 2 10. Judas Priest 11. Crawl 12. The Constant 13. Revolution Screams 14. Hidden Track: New Noise (The Refused cover) |
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| BigMac | Sep 15 2011, 08:29 PM Post #133 |
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Real Trill Shit
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I was gonna do that one... :P Nice review. I do kinda disagree about the memorable solos part, since Anthrax has always been more "riff first, solo later." Not to bag on the solos, the solos are awesome, I've just always felt the band's focus was on epic, memorable riffs. |
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| CALJR_8760 | Sep 15 2011, 08:41 PM Post #134 |
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The Lonely One
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Yeah, they're good and add to the song, but theres nothing that makes amazed. Plus Rob solos don't have quite the punch that Dan's did. Dan's ripped through your ears while Rob's just add to the song. |
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| Granskjegg | Sep 16 2011, 10:23 AM Post #135 |
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Eg e husfar.
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Got the album on tuesday IIRC, STILL haven't gotten around to listening to it D: |
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8:17 AM Jul 11