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| The official Kylie thread; New album "Golden" | |
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| Topic Started: Jan 13 2013, 01:57 AM (19,483 Views) | |
| GimmeSomeRiver | May 26 2013, 12:29 PM Post #61 |
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When I lay in bed I touch myself and I think of you
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See, if you want young cock, THAT'S the way to go. |
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| Riverwide | May 26 2013, 09:04 PM Post #62 |
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| FuckBuddy | May 26 2013, 11:45 PM Post #63 |
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her man is hot
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| FuckBuddy | May 27 2013, 10:46 PM Post #64 |
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pharrell reveals a few details on his collaboration with kylie (source: vulture.com) An hour with music producer Pharrell Williams at Jungle City Studios, up above the High Line and a wide array of new construction, feels like a minor form of time travel: He can connect an mp3 player to the console, turn the monitors up to jaw-*rattling volumes, and play you pop music from the near future. These are the tracks he’s written for (or co-written with) various singers, beats he’s made for various rappers, a selection of sounds he’s crafted that could become radio fodder over the coming months. When we meet, he’s making adjustments to “ATM Jam,” a track for Azealia Banks’s upcoming album, and there’s plenty more of his work to follow. A tough-as-nails Jennifer Hudson song with a Rick James feel. A not-dissimilar piece for Miley Cyrus. A cut for Mayer Hawthorne that would sound like seventies smooth-rock kings Steely Dan even if we hadn’t just been talking about how much Williams loves Steely Dan, and even if he didn’t lean over afterward and say, “Sounds like Steely Dan, right?” A record with resurgent Destiny’s Child singer Kelly Rowland. And my favorite, an astonishing number from Kylie Minogue, which Williams might take extra pride in, because he makes a point of playing it without announcing the artist, then asks me to guess who’s singing: “That’s Kylie Minogue!” This is just the music he can share; somewhere beyond it lies the music he can only hint at (like new work with Beyoncé), and the stuff he can’t even discuss yet (he recently tweeted a photo of himself in a studio with Jay-Z and Frank Ocean). At 40 years old, Williams still has the lean, boyish air of a teenage skater, as though he could blend in with the kids in Union Square. But I’m guessing the metaphor he would choose to describe this listening experience would not be time travel; it would involve visiting a fashion house and browsing through next season’s clothes. He employs a whole lot of fashion analogies to explain what he does with music. They’re complex and thoughtful, featuring Mark McNairy, Rei Kawakubo, and different methods of setting Swarovski crystals, and they may be slightly informed by the marketing person who’s here to remind him to mention the tenth anniversary of his clothing line, Billionaire Boys Club—but the central thrust is that writing and producing songs for other artists is a lot like designing their clothes: “I think about the person, where they are in their life, what they’re going through. I think about what’s going to look good on their body. So I’ve got to put the right fabric, the right print, the right weight and feel. And then I’ve got to dress the window.” That Kylie Minogue song, for instance: Williams was inspired after Minogue, suddenly confronted by some other urgent matter, thought she’d be forced to cancel the recording sessions. So he built “The Winners,” a giddy perseverance anthem whose verses all begin, “I was going to cancel …” |
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| Anastasia Beaverhausen | May 28 2013, 05:44 AM Post #65 |
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Kylie's starting to leak!!! https://soundcloud.com/nomdestrip/skirt |
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| Anastasia Beaverhausen | May 28 2013, 05:51 AM Post #66 |
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Even though it's practically one decent chorus stretched with added production to 3 1/2 minutes, I looove it! Current, and still Kylie (with a touch of Britney). |
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| Riverwide | May 28 2013, 08:26 AM Post #67 |
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I hope it's only a demo, because it's a bit of a try-hard racket. There's a semi-decent chorus eventually, but it's mostly shit. |
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| Anastasia Beaverhausen | May 28 2013, 09:35 AM Post #68 |
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I guess its a classic buzz leak, if producer leaks it himself. |
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| Riverwide | May 28 2013, 10:14 AM Post #69 |
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For me, it's a buzzkill. I don't look to Kylie for this kind of thing. |
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| thesmu | May 28 2013, 12:32 PM Post #70 |
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So disgusting
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I think I'll wait to hear something official.. |
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| Anastasia Beaverhausen | May 28 2013, 04:39 PM Post #71 |
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I'm back home and it does seem like a remix now to me. Very good one. |
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| Anastasia Beaverhausen | May 28 2013, 05:41 PM Post #72 |
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new promo pics. its coming!!![]()
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| thesmu | May 28 2013, 06:29 PM Post #73 |
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So disgusting
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Dag nammit *fans self*
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| thesmu | May 28 2013, 06:32 PM Post #74 |
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So disgusting
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Oh and if it's the same thing it says on her Facebook that its a 'club mix of a new track' |
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| FuckBuddy | May 28 2013, 10:15 PM Post #75 |
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i despised this on first listen thinking it's too reminiscent of something the likes of riri and britney would have recorded in the past few years. i do have to admit it's grown on me after multiple plays, however i'm still to make up my mind whether i actually like it or not. not too keen in those dubstep - or is it techno? i have no idea- spazz outs. the chorus is unmistakably kylie, i give her that. i thought nom de strip confirmed this is not a remix but the original final edit. however leaking it probably means it's either a left over or an album track. it's likely they're testing the waters to detect people's reaction for this bold direction. i must admit if the rest of the new material adopts the same sound, she's into a huge risk. alienating long time fans could lead to utter floppage if the younger audiences don't bite to it. btw, this no nu-di-ty. i do get the comparisons, but the production on skirt is tremendous. |
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| Riverwide | May 28 2013, 10:34 PM Post #76 |
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Tremendous? Really? It sounds kind of trashy to me. She's in one of her "PLEASE TAKE ME SERIOUSLY" phases again. It's like it's trying so very, very hard to sound cool or cutting edge. If it wasn't Kylie, I wouldn't give this kind of thing a second listen. |
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| FuckBuddy | May 28 2013, 11:09 PM Post #77 |
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in all fairness, she couldn't afford releasing another album of classic kylie sounding songs. if u ask me, i would rather she was purchasing tracks from french electronic producers as it's a genre more fitting to her mentality and essence. i do agree it's a case of her jumping on the bandwagon, trying to sound cool and edgy for the masses. however she does not come down as too desperate, at least judging from this sole track. being a gaga fan yourself, i think u might agree she's aiming at a more aggressive, up in your face sound that stamped born this way. whether that will work for her or not, it remains to be seen. that's why i used the adjective tremendous, thus not trying to describe the exact quality of its production yet more like the overall feeling of it assembling a bunch of larger than life gagaesque sonic attributes. i hope this makes sense
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| Riverwide | May 28 2013, 11:13 PM Post #78 |
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Hmm...I'm not sure, but it's already sounding infinitely superior to "Gimme All Your Luvin'", that's for sure.
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| FuckBuddy | May 28 2013, 11:23 PM Post #79 |
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what do u know, i was questioning myself about the same thing on my way back from the gym just a couple of hours ago. my verdict is, yes, it's way superior to gimme all your luvin. but then, what isn't? |
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| Riverwide | May 28 2013, 11:26 PM Post #80 |
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